Originally posted by pilamenon
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For SC (#121), agreed with you about Rudolf Escher, as he merits wider exposure. However, I'm not sure how much play he gets in The Netherlands now, never mind anywhere else. I think something like Musique pour l'esprit en deuil would definitely go well at the RAH, very Mahlerian in its intensity. That would be the work with which to break the ice and introduce Escher to Proms audiences, IMHO.
For ucste (#123), for something like Wallace & Gromit, I don't think that W&G would be done every year. But you always have to have family-orientated Proms, and as I wrote earlier, I'm surprised that it took so long to have a W&G Prom. They deserve it. Regarding Hollywood and Broadway-styled Proms, I suspect that as long as John Wilson can keep his mojo going, he and his band will have a place there. One day, perhaps, they'll become "old hat", as do most of us eventually, but until that day comes, I'm sure they'll milk it for all they can.
Originally posted by MrGongGong
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