Thanks Roehre that's most interesting. I have to admit that Escher is just a name to me and I've never heard any of his music, so will have to try and find some. Putting the odd work or two by these sorts for composers, especially in significant anniversary years, mixing it with more standard repertoire is what the Proms should be doing more of. Giving opportunities for the concert going public to hear something unfamiliar to broaden their musical experiences. Some will react negatively but I expect there will always be some that react positively and seek out these composers and works, which can only ultimately benefit 'classical' music. Of course you will always have to have your 'popular' repertoire only concerts to put bums on seats I acknowledge that, but the uniqueness of the Proms means it is also an opportunity to let some other composers shine (some of whom were more popular and regarded equally as highly as more well known composers have been).
I wonder if there is any way that RW could be persuaded to remove one of his essential classics in favour of Coleridge-Taylor etc at this late stage?
I wonder if there is any way that RW could be persuaded to remove one of his essential classics in favour of Coleridge-Taylor etc at this late stage?
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