Well MrGongGong, all things go in and out of fashion. Perhaps beyond your ken, or desire to admit, there are many people who still do associate themselves with the values expressed in some of the '1950s style English event'. They would also far prefer that than the kind of relevant modern celebration of the world around us (in a very real sense) that it could be you might prefer. I wonder why?!
Prom 74: Saturday 10th September at 7.30 p.m. (Last Night of the Proms)
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Anna
I've been out walking all afternoon, so quite exhausted and will probably turn on the television for Last Night, having the remote handy to silence it before You'll Never Walk Alone and Climb Every Mountain. I doubt if the sound will come back on but I'm quite interested to see if any of our regulars in the front row will catch the eye of the cameras.
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Originally posted by Eine Alpensinfonie View PostSo enlighten me - objectively please. Why is "Panic" better than the Sea Songs? (apart form the fact that hardly anyone would want to listen to the former).
I rest my case
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Originally posted by Eine Alpensinfonie View PostWe have a world premiere from one of the most eminent living composers
Fortunately redeemed by that sensational performance of the Liszt by Lang Lang.
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Originally posted by David Underdown View PostAs has been pointed out previously on these boards, ticket income only covers about half the costs of the Proms. What the BBC have never revealed is the income they get from selling broadcast rights overseas (particularly for the Last Night), which one would imagine is not an insignificant sum.
It would be interesting to know where the revenue from broadcast rights goes too. After all, most of the so-called 'loss' comes out of Radio 3's budget. It wouldn't be quite the thing if indirect revenue was going to the commercial wing.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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