Making his Prom debut the Parisian organist Thierry Escaich, one of today's most famed exponents of the art of improvisation, demonstrates his skills in a variety of styles on the mighty Albert Hall instrument, and also plays concert works by four great organist-composers from the 18th and 19th centuries. Improvisation has always been part of the organist's musical armoury, and never more so than amongst the great French players of the instrument.
Thierry Escaich: Overture in the Baroque Style (improvisation)
J. S. Bach: Chorale Prelude 'Nun komm, der Heiden Heiland', BWV 659
Thierry Escaich: Evocation III (on 'Nun komm, der Heiden Heiland') (UK Premiere)
Reger: Chorale Prelude 'Jauchz, Erd, und Himmel, juble hell', Op. 67 No. 15
Franck: Chorale No. 2 in B minor
Liszt: Adagio in D flat major, S759
Thierry Escaich: Triptych on Themes by Liszt (improvisation)
Thierry Escaich (organ).
Thierry Escaich: Overture in the Baroque Style (improvisation)
J. S. Bach: Chorale Prelude 'Nun komm, der Heiden Heiland', BWV 659
Thierry Escaich: Evocation III (on 'Nun komm, der Heiden Heiland') (UK Premiere)
Reger: Chorale Prelude 'Jauchz, Erd, und Himmel, juble hell', Op. 67 No. 15
Franck: Chorale No. 2 in B minor
Liszt: Adagio in D flat major, S759
Thierry Escaich: Triptych on Themes by Liszt (improvisation)
Thierry Escaich (organ).
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