Originally posted by Chris Newman
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Prom 31: Saturday 6th August at 10.00 p.m. (Nigel Kennedy playing Bach)
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Originally posted by Anna View PostListening now - wonderful! A lot of fun.
But after that, we were into Fats Waller. By the second encore, I was wondering what I was doing in the Albert Hall at 11.35 listening to music that was of no interest to me and nothing to do with Bach. But we did get an hour of Bach, more or less, and after the Chaconne I was willing to forgive ...
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amac4165
Wonderful concert ! - as predicted on another thread it didn't start on time !! The prom queues didn't start going in until 10pm ! fairly chaotic scenes with some regulars complaining to the hall staff as they have been told they couldn't eat their picnics between proms in the arena bars !
It was a wonderfully constructed journey from pure solo violin Bach - to Bach/jazz to jazz. Along with the William Tell ranking so far as the truly great evenings so this year.
amac
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Originally posted by makropulos View PostOr if we do, I hope it's not one of the Haskil items that has to be cut... Looking forward to that very much.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by Barbirollians View PostKennedy is a parody of himself now as a personality but still a magnificent violinist when his mouth is shut .
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amateur51
At the end of the article, Kennedy is quoted as saying:
"You can't learn pathos or profundity."
Surely you can acquire these things with age and experience?
Methinks the Maestro doth protest too much
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cavatina
Originally posted by amateur51 View PostAt the end of the article, Kennedy is quoted as saying:
"You can't learn pathos or profundity."
Surely you can acquire these things with age and experience?:
"Pathos is often associated with emotions, but it is more complex than simply emotions. A better equivalent might be appeal to the audience's sympathies and imagination. An appeal to pathos causes an audience not just to respond emotionally but to identify with the writer's point of view - to feel what the writer feels."
Can you think of any performers who were vacant and wooden at 18 even having a career into their 50s? And who doesn't improve with age? A bit of a straw man, I think.
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amateur51
Originally posted by cavatina View PostTrue, but perhaps his point was these qualities won't come automatically to someone who doesn't possess a basic sensitivity and openness to experience. Here's a quote about the meaning of pathos:
"Pathos is often associated with emotions, but it is more complex than simply emotions. A better equivalent might be appeal to the audience's sympathies and imagination. An appeal to pathos causes an audience not just to respond emotionally but to identify with the writer's point of view - to feel what the writer feels."
Can you think of any performers who were vacant and wooden at 18 even having a career into their 50s? And who doesn't improve with age? A bit of a straw man, I think.
Kennedy was being crass, nothing new there.
But I still admire his musicianship
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Ariosto
Best prom so far
Kennedy's TV prom was superb. Wonderful Bach playing. Superb musician. Wonderful bow arm.
AND I AGREE WITH EVERY WORD HE SAID ABOUT HIPsters. And everthing else in the article.
AT LEAST HE's A PROPPER BLOODY MUSICIAN, UNLIKE SOME OF THE PATHETIC EXCUSES WE'VE HAD TO LISTEN TO.
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Ariosto
People just don't get him do they! I think he's a nice, unselfish, generous man with a huge talent, and he's modest. I pity you because you can't see that.
(That was an answer to No 27).
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