Originally posted by Jane Sullivan
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Proms Operas 2011 - a fallow year?
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Is anyone else unimpressed with the Proms Operas this year? Only three, of which one is the "expected" Glyndebourne Prom (a jokey production of "Rinaldo", when we might have had Jurowski's acclaimed "Meistersinger"?). "William Tell" probably caters to Rossini completists, but few others. I am all in favour of "Der Freischutz", even in the Berlioz reworking... but it seems a thin year overall.
I'd like to hear Busoni's Doktor Faust - that certainly fits the bill of a large scale work rarely performed in a stage version.
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Lee McLernon
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Originally posted by Al R Gando View PostOf course, the ROH used to have its very own Proms, which involved taking all the seats in the Stalls out. I s'pose those days have gone now?
Holland Park Opera was mentioned - perhaps their production of La Wally would fit the 'rarity' criterion? & I've just seen Die frau ohne schatten at the Edinburgh Festival - perhaps that could be considered a rarity suitable for the Proms?
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Al R Gando
Originally posted by Flosshilde View PostI think when that first happened it was as part of the Proms season; subsequently the ROH did it as part of their own season (possibly sponsored by Paul Hamlyn?).
Holland Park Opera was mentioned - perhaps their production of La Wally would fit the 'rarity' criterion? & I've just seen Die frau ohne schatten at the Edinburgh Festival - perhaps that could be considered a rarity suitable for the Proms?
Do you think Holland Park performances would be up to the standards of other Proms? I've seen three operas there over recent years - they all seemed to fit that old Abbey-Opera genre of "we might be a bit wonky, but it's yer only chance to see Pfitzner's Palestrina, so don't complain". The orchestral playing in particular struck me as very Dulux Economy White - clearly competent players, but all pulled together on about two rehearsals? As a Schnorrer's Glyndebourne - with picnic opportunity etc - it's a pleasant enough way to pass a summer evening, but I fear they'll suffer by comparison with any of the other Proms operas, and shorn of the dramatic action there might not be enough left to make a broadcast? Although actually the same can really be said of Garsington, for all their fancy prices.
How was Die Frau? Jonathan Kent's production has come in for some stick, but I would imagine the Mariinsky cast were The Right Stuff? More so than HPO, I mean :)
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Originally posted by Lee McLernon View PostROH summer season productions are Salome & Troyens.Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....
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Chris Newman, I don't recall a year where Glyndebourne FO came to the Proms more than once since the 70s - from where my Prom prospectus collection starts. However, looking on the Proms Archive the Glyndebourne Chorus (probably in effect the same as the Festival Opera but not necessarily...) came twice in 1963, 65, 71, 72 and 94 (the latter is probably an error on the database which I can check at home).
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Originally posted by Al R Gando View PostI didn't realise that the ROH Proms had begun under the umbrella of the BBC Proms. I would be in favour of seeing a return to something like that? So much is lost in the transfer from fully-staged production to the dingy stage of the Albert Hall.
Do you think Holland Park performances would be up to the standards of other Proms? I've seen three operas there over recent years - they all seemed to fit that old Abbey-Opera genre of "we might be a bit wonky, but it's yer only chance to see Pfitzner's Palestrina, so don't complain". The orchestral playing in particular struck me as very Dulux Economy White - clearly competent players, but all pulled together on about two rehearsals? As a Schnorrer's Glyndebourne - with picnic opportunity etc - it's a pleasant enough way to pass a summer evening, but I fear they'll suffer by comparison with any of the other Proms operas, and shorn of the dramatic action there might not be enough left to make a broadcast? Although actually the same can really be said of Garsington, for all their fancy prices.
How was Die Frau? Jonathan Kent's production has come in for some stick, but I would imagine the Mariinsky cast were The Right Stuff? More so than HPO, I mean :)
I remember sitting in the queue for Boris G in Wellington Street watching Alfred Hitchcock(who sat in his Rolls most of the time) on the opposite side of the road filming a scene from "Frenzy" with Jon Finch and Barry Foster. After doing it for several hours he crossed the road and thanked us all for being so quiet and "well behaved".
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