"Sailing is like standing in a cold shower tearing up £10 notes" I paraphrase & the denomination might be incorrect.
Turntables for vinyl
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Originally posted by Cockney Sparrow View Post"Sailing is like standing in a cold shower tearing up £10 notes" I paraphrase & the denomination might be incorrect.
The extraordinary life of Sir Thomas Lipton: rags-to-riches tycoon, self-publicist, philanthropist and sportsman.
Though I see it's also attributed to Ted Heath.
Not, I would have thought, the Duke of Embra's kinda bag...Last edited by vinteuil; 15-03-21, 14:52.
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Originally posted by Cockney Sparrow View Postnon-static liners, fluid cleaning machines, cotton gloves, anti static guns and prompt stylus renewals
Re the Dream of Gerontius, I always feel uneasy about Sir Adrian Boult’s claim that The Kingdom is the greater work, because, as with the two symphonies, whichever I’m listening to at the time seems plainly the greater.
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Originally posted by Keraulophone View Post.......Re the Dream of Gerontius, I always feel uneasy about Sir Adrian Boult’s claim that The Kingdom is the greater work, because, as with the two symphonies, whichever I’m listening to at the time seems plainly the greater.
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Originally posted by Cockney Sparrow View PostI started listening to the Barbirolli DoG and Boult Kingdom on vinyl and they are among those I retained - for the booklets really....
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Originally posted by Keraulophone View PostSnap - those two recordings were experienced while in an undergraduate haze. Yes, the booklets in those LP boxes were excellent, in size and content. Importantly, Sir Adrian’s talk on The Kingdom and The Apostles was on side six of the latter set, which was substituted on its CD release with the Meditation from The Light of Life - another plus for vinyl.
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Originally posted by Keraulophone View PostI admit to being a bit perplexed by this thread. Opinions seem to be unnecessarily polarised over vinyl/analogue v digital. I have heard almost all the arguments before, but they don’t affect me in practice because all I want to do is to sit in my listening room and enjoy the music, whether that means delving into countless LPs lovingly collected from the late 1960s onwards, cassette tapes of R3 Choral Evensongs dating back to the mid-1970s some special R3 broadcasts (eg Czech PO in Dvorak 8 from RFH with horns doubling violins the the end à la Talich, Richter’s ‘heavenly length’ Schubert from Aldeburgh) and, later on, Minidiscs (R.I.P.) of the same, and, more recently, marvelling at the sound coming from audio blu-ray discs of the Ring cycle. The turntable may be the source component requiring the most careful set-up and maintenance, but it’s really not that hard to get a decent result, though I’m not sure about the OP’s ‘plug-and-play’ turntables. Cassettes often disintegrate when they get old, though some brands survive better than others. I’ve had to throw away about 500, but some playable gems remain and can be digitally preserved via Nakamichi and PC. Lastly, though I admire some LP cover art, I haven’t gone to the extent of adorning the walls with framed sleeves (eg Karajan’s DG La Mer) as in a friend’s house.
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Originally posted by richardfinegold View PostIf you still have hundreds of lps from the day, retaining the ability to play them absolutely makes sense. Buying new lps at outrageous prices that were made from digital files does not. In my case, even if my lps hadn’t been destroyed, I would have tossed them any way as soon as digital replacements were available, as I was fed up with vinyl at the dawn of the CD era but would have kept my analog rig until everything had been digitalized
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