I have suggested this before, and indeed tried it. "Real" recorder enthusiasts will throw up their hands in horror, no doubt, but actually if bass recorder parts are played on a treble, and recorded (say into Audacity), the pitch shift feature - down 12 semitones - will do a decent enough job of getting something which sounds really rather like a "real" instrument. An alternative is to use a guitar pitch shifter, which may also give a decent enough rendition, and can be played live if suitable microphone/amplifier/loudspeaker combination is used. If one doesn't mind the octave doubling on the alto, this can be done in real time, otherwise a track can be laid down, and replayed later. I have tested out guitar pitch shifters for this purpose, and some do work quite well.
It is actually quite a lot easier for people who haven't tried a bass recorder as the physical instruments do seem to me quite a lot trickier. My experience with the physical ones is limited, but growing. They are relatively unwieldy, both in terms of weight and size, and also in terms of fingering agility.
One can of course, also simulate contrabass and subcontrabass instruments in the same way. It's doubtful whether the inverse process of raising the pitch would be useful. There may be someone out there who can play the Irish Washerwoman on a bass instrument as fast as I can on a descant, but I doubt that many people would be able to do so - or would even want to try.
The same techniques can be used to simulate a tenor on a descant recorder, though tenor recorders are more manageable with considerable practice.
It is actually quite a lot easier for people who haven't tried a bass recorder as the physical instruments do seem to me quite a lot trickier. My experience with the physical ones is limited, but growing. They are relatively unwieldy, both in terms of weight and size, and also in terms of fingering agility.
One can of course, also simulate contrabass and subcontrabass instruments in the same way. It's doubtful whether the inverse process of raising the pitch would be useful. There may be someone out there who can play the Irish Washerwoman on a bass instrument as fast as I can on a descant, but I doubt that many people would be able to do so - or would even want to try.
The same techniques can be used to simulate a tenor on a descant recorder, though tenor recorders are more manageable with considerable practice.
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