Originally posted by johnb
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Proms 2017 in FLAC
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Originally posted by jayne lee wilson View PostIt does work if you click on the link to Concert Sound I gave earlier... http://www.bbc.co.uk/programmes/arti...proms-on-radio
but you do have to be running Firefox 51 (or later) to use it. Won't work in Safari.
Old webpage URL:Code:http://www.bbc.co.uk/taster/projects/radio-3-concert-sound
Code:http://www.bbc.co.uk/taster/projects/radio-3-concert-sound2
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Originally posted by johnb View PostJayne, I might have misunderstood but I find that the link "::Listen to the Proms Live with Radio 3 Concert Sound::" on that webpage links to the old trial, not to the new Proms FLAC streams.
Old webpage URL:Code:http://www.bbc.co.uk/taster/projects/radio-3-concert-sound
Code:http://www.bbc.co.uk/taster/projects/radio-3-concert-sound2
In Safari I get the "Not working..." note; in Firefox (54.0) I get the golden image of seagulls and the speaker icon - it plays immediately.
I just tried the other one in the second column that you quote above.... that doesn't work even in Firefox, you get the old trial page as you say.
A bit perverse, but now you know... stick to the pic!
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From Jim Lesurf (Linux forum):
"The plan is that *all* programmes on R3 during the Proms weeks will be flac
streamed. i.e. *not* only the actual Proms as I was previously told.
This makes sense as it saves having to turn things on and off and give
people time to start fetching, etc. It also makes me think the 'trial' was
judged a success. So it seems hopeful that flac will end up as a standard
stream at some later point."
(although Andrew M on Record Review says the concert sound will be only for the Prom concerts.
The "Try" webpage using Firefox seems to be working continuously).
Looks like you can listen as binaural (with headphones) - maybe this is just for the proms.Last edited by Beresford; 15-07-17, 09:08.
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I had a poor experience with the FLAC stream at the first night, gave up because I kept getting transmission breaks, and switched to my R3 HD feed, which is also internet based. Then I had no problems at all. I have 200 Mb/s broadband from Virgin which is usually rock solid. It seems to me that there was a problem with the FLAC stream - was anyone else using it?
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Originally posted by Goon525 View PostI had a poor experience with the FLAC stream at the first night, gave up because I kept getting transmission breaks, and switched to my R3 HD feed, which is also internet based. Then I had no problems at all. I have 200 Mb/s broadband from Virgin which is usually rock solid. It seems to me that there was a problem with the FLAC stream - was anyone else using it?
It *might* be worth seeing whether having Firefox running as the only programme running, with the FLAC streaming the only tab, improves things.
(Incidentally, my experience earlier in that year was that the stream recommences from the point at which it breaks off - without any data loss.)
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Originally posted by johnb View PostI had one very short break during the Beethoven.
It *might* be worth seeing whether having Firefox running as the only programme running, with the FLAC streaming the only tab, improves things.
(Incidentally, my experience earlier in that year was that the stream recommences from the point at which it breaks off - without any data loss.)
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Very brief glitch during the interlude between the Coult and the Beethoven, otherwise fine (BT Infinity 2 75-80 mb)
Note copied from my Prom 1 Review:
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The broadcast balance via Concert Sound was fine (piano perfectly positioned with the orchestra, chorus spaciously behind it, never overwhelming instrumental detail) maintaining those gains in - 3D space & depth, timbral depth and richness, natural dynamics, and above all that sense of sheer scale - that I’d noted during the trial in April. Low-level resolution in the very soft crescendoing transition to the Adams finale was excellent. The FLAC relays have a free-breathing, open, generous-spirited and relaxed quality which the 320 kbps AAC feed cannot match (that sounded good in itself though, later on when checking a few details).Last edited by jayne lee wilson; 16-07-17, 00:45.
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Originally posted by Goon525 View PostI've listened to Prom 2 with no interruptions at all. Apart from being an exceptional concert, it was the best sound I've ever heard from a Prom. I think Jayne has nailed it with her description above. It'd be hard to go back to a standard R3 feed after this.Steve
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Isn't it wonderful that listeners can hear things so differently.
During the earlier trial I was impressed with the "concert sound" and was looking forward to a special Proms season but last night I was really disappointed by the balance. To my ears there was no sense of the hall (apart from audience noises) and no space or air around the performers unfortunately this does seem to be the way of modern recordings - hall, what hall?
Also I began to wonder if there was an orchestra there at all during parts of the violin concerto, the soloist was so "in your face" it was unpleasant.
It can be difficult separating the sound from the transmission mechanism but I do hope there are different sound engineers in charge later in the season with a different idea of an ideal balance.
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Originally posted by Jasmine Bassett View PostIsn't it wonderful that listeners can hear things so differently.
During the earlier trial I was impressed with the "concert sound" and was looking forward to a special Proms season but last night I was really disappointed by the balance. To my ears there was no sense of the hall (apart from audience noises) and no space or air around the performers unfortunately this does seem to be the way of modern recordings - hall, what hall?
Also I began to wonder if there was an orchestra there at all during parts of the violin concerto, the soloist was so "in your face" it was unpleasant.
It can be difficult separating the sound from the transmission mechanism but I do hope there are different sound engineers in charge later in the season with a different idea of an ideal balance.
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Here, I felt Prom 2/Part 1 was pretty well-balanced. It just sounded as if the bigger fuller sound generated by the Staatskapelle filled the space rather more than the BBCSO had done (as I said on the Prom 2 thread, rather too filling for my Sibelian taste) and to some extent it was LB's extraordinarily powerful tone (from that big, dark, gutty Guarneri del Gesù) that made her sonic presence the more emphatic. The space and scale at the start of the concerto, as Batiashvili's solo truly soared, were as vivid as I could wish, then the orchestra bludgeoning in heftily....the proportions of band to soloist seemed OK to me..
Cross-checking on FM during the adagio though, even knowing what to expect, I was shocked at just how forward the dynamic compression made the violin sound, and the orchestra thus reduced.... thank god for lossless!
(And to be fair, its precedent, HDs - still sounding fine when I used iPlayer to check a few things the other night).Last edited by jayne lee wilson; 16-07-17, 16:21.
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