Originally posted by Roger Webb
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"Most BBC radio stations to become unavailable for international users"
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Originally posted by Forget It (U2079353) View PostThe Proms are already syndicated overseas. They get paid for.
The RAI Radio 3 in Italy often relays the Proms live - with their own interval talks.
I guess they are similarly heard and paid for in the US.
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Originally posted by Roger Webb View Post
Yes, all of that I agree with.
But the BBC and interested parties, performing rights-wise have to realise with digital communication - the possibilities of which are ever increasing - that it's not going to be possible to police them as they would wish to do. Actually, it has always been thus....but to a lesser degree - for example I had friends who lived in Normandy in the 80s who were classical music fans and listened to BBC Radio 3 on FM with a massive 6 element Yagi array mounted on their roof - they didn't pay a license fee. It has merely become easier to listen to stations from all parts of the globe with the advent of internet radio... 'resistance is useless'!
I followed the TuneIn case and I, like a lot of people were amazed that they didn't appeal against the ruling...it seems quite surprising that Warners et al didn't see fit to sue other aggregators similarly, and that, whilst the lawyers did ok, Warners et al (and those musicians they represent) were not one penny better off for forcing listeners to move the dial, so to speak, to another aggregator, but it did annoy us who had to junk our streamers! How many 'smart speakers' went to the tip in the BBCs attempt to force Sounds app. use on listeners by their 'Shoutcast' decision?!
I love(d) BBC Radio 3 (when in the early 70s I was sent to work in a Communication Centre in the Middle East I used to get an Oppo in London to send the Proms on one of the 'spare' network channels usually used for engineering chit-chat so I could listen on the night watch!), but I'm afraid I'm drifting away (from the BBC, that is!).....making a series of incoherent statements, retracted almost immediately after being discussed on a BBC news programme doesn't fill me with confidence in the management structure.
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Originally posted by Ein Heldenleben View Post
That seems very plausible - shame it’s an uncredited piece.
I stuck it up there, not because I agree with its precepts, but because it's an interesting point of view.
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Originally posted by Ein Heldenleben View Post
Suing Tunein was all they had to do. With that precedent their cease and desist letters gather much more force. Suing really is the final option.
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Originally posted by Roger Webb View Post
Well those letters have fallen on deaf ears (?) - not a single aggregator has 'ceased' or 'desisted' putting out content 'belonging' to Warners from every radio station on the globe.....except TuneIn - and that only in the UK! TuneIn is still available in every country it streams to, and those radio stations it streams to are pumping out Warners stuff dawn til dusk! I suspect there are other reasons that Warners (and I thought Sony was involved) have picked this particular fight. Try downloading any aggregator from the app. store, you'll find they carry every imaginable radio station in the world.....apart from BBC, of course!
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Originally posted by Ein Heldenleben View Post
That’s interesting . Warners , like Disney , are very hot on copyright. Wonder if they’ve cut a deal or just don’t think it’s worth the effort for the revenue (compared to the Spotifys and Amazon musics) ? Thing is for the composers and performers it is worth the effort. It’s a miserable time to be a minorish to middling creative artist - especially if like classical musicians there are zero merchandising opportunities at concerts,
the big names in classical ( soloists and star conductors ) probably don’t need the money or extra effort, I guess. But chamber musicians , for example with a record deal may be missing a trick?
I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by teamsaint View Post
One might ask whether Classical musicians and their agents tend to miss merchandising opportunities.Musicians in other genres often find a way to make useful extra cash and help build the audience.
the big names in classical ( soloists and star conductors ) probably don’t need the money or extra effort, I guess. But chamber musicians , for example with a record deal may be missing a trick?
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