How very dare he!
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Richard Tarleton
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Originally posted by ahinton View PostIndeed - and which composer wants his/her work to be at best half-listened to in beteween the chatter bouts that make up the remainder of such programmes?
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Richard Tarleton
Originally posted by Pulcinella View PostFair comment, but what I found (when still in gainful employment) was that after a day of meetings the last thing I wanted was more chatter: give me just the music any day please. Memory (perhaps lapsed!) recalls Homeward Bound having much less chat in it.
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Originally posted by Richard Tarleton View PostThe interviews (chats) with performers tend to be the most interesting part of the programme (IMV), and the parts I stop and listen to properly.
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Originally posted by Richard Tarleton View PostI think the predecessor of In Tune was Mainly for Pleasure?
Personally, I was always annoyed by the fact that there would regularly be pieces that I didn't know, but which I couldn't discover more about because I couldn't listen until the very end.
But better even that than the chatterfest that In Tune offers.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View PostPersonally, I was always annoyed by the fact that there would regularly be pieces that I didn't know, but which I couldn't discover more about because I couldn't listen until the very end.
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How can this be? This is our own ferneyhiccough writing. Shurely shome mishtake???
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Originally posted by ferneyhoughgeliebte View Post- EXACTLY the two reactions I had, RT! (And it looks as if the great man has previously attempted to stick it in his eye, too! )"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Richard Tarleton View Post.. There, Natalie Wheen assumed the mantle of the genial, slightly raffish host subsequently assumed by SR..
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