How very dare he!
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Richard Tarleton
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Originally posted by ahinton View PostIndeed - and which composer wants his/her work to be at best half-listened to in beteween the chatter bouts that make up the remainder of such programmes?
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Richard Tarleton
Originally posted by Pulcinella View PostFair comment, but what I found (when still in gainful employment) was that after a day of meetings the last thing I wanted was more chatter: give me just the music any day please. Memory (perhaps lapsed!) recalls Homeward Bound having much less chat in it.
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Originally posted by Richard Tarleton View PostThe interviews (chats) with performers tend to be the most interesting part of the programme (IMV), and the parts I stop and listen to properly.
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Originally posted by Richard Tarleton View PostI think the predecessor of In Tune was Mainly for Pleasure?
Personally, I was always annoyed by the fact that there would regularly be pieces that I didn't know, but which I couldn't discover more about because I couldn't listen until the very end.
But better even that than the chatterfest that In Tune offers.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View PostPersonally, I was always annoyed by the fact that there would regularly be pieces that I didn't know, but which I couldn't discover more about because I couldn't listen until the very end.
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How can this be? This is our own ferneyhiccough writing. Shurely shome mishtake???
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Originally posted by ferneyhoughgeliebte View Post- EXACTLY the two reactions I had, RT! (And it looks as if the great man has previously attempted to stick it in his eye, too!
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"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Richard Tarleton View Post.. There, Natalie Wheen assumed the mantle of the genial, slightly raffish host subsequently assumed by SR..
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