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As discussion is beginning 'in earnest' , this has replaced PROMS 2015 which is currently languishing at the bottom of Classical Forum and will be archived. I've moved two current threads into the new forum.
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
I'd like to be the first to say I'm underwhelmed on first perusing the new season programme but then on closer inspection to find that there are a number of interesting concerts...
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
"Last August, reluctant to call in favours, Pickard stood in the queue for limited reduced rate tickets to a sold-out Proms opera, Monteverdi's Orfeo, and watched from a balcony up in the gods. “I thought, ‘I’ll go and be a Prommer again,' ” he says of the popular Proms tradition of standing in the Albert Hall’s arena or gallery areas. “It was amazing, the way this small-scale piece of music pinged through to me. I was struck by the variety of that promenading crowd. There was a tourist with her sandwiches in a carrier bag next to a music student with his violin. The Proms isn’t just about the people on the stage. It’s about the people in the audience, who are part of the atmosphere."
Of course, many here might lose it over the words of praise in the article for Pickard's precedessor, except that the predecessor did program some good stuff.
Looks like subscription only, bsp. Of course, no one ever says what an awful job their predecessor did, and how they are going to do it much better! That said, I expect DP will have a 'brief' …
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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