Originally posted by Ein Heldenleben
View Post
Prom 30: National Youth Orchestra / NYO Inspire Musicians, A. Bloch / T. Jackson
Collapse
X
-
Originally posted by kernelbogey View Post
Yes, I thought you probably meant her...
... and yes, tears in my eyes too - also when Monsieur Bloch was singling out soloists for calls... and indeed during the Swingles-like encore!
"We should be pouring money into music education."
BTW I am thankful for my grandchildren that they have brilliant music education being in Camden schools.
Comment
-
-
Originally posted by kernelbogey View Post
Yes, I thought you probably meant her...
... and yes, tears in my eyes too - also when Monsieur Bloch was singling out soloists for calls... and indeed during the Swingles-like encore!
"We should be pouring money into music education."
BTW I am thankful for my grandchildren that they have brilliant music education being in Camden schools.
Comment
-
-
I wonder how many others feel as I do when listening to a new work for the first time. I feel uncomfortable not knowing how long it will last, and hence how far through it I am, to understand how the music I am hearing fits into the overall structure. I mention this because I felt it particularly with the two new pieces in this concert, which I watched on TV. I should add that I always listen to a new piece purely as music, regardless of any extra-musical idea or view the composer may want us to agree with or think about .
I thought Orpheus Undone was enjoyable, if not a work of any depth or stature. It was well-written for the orchestra and the orchestration fitted the musical material well. But the Three, Four AND... I thought a poor piece for several reasons. The musical material was banal and derivative, it was too long for what it contained, and there seemed to me to be no musical reason why the musicians should be positioned around the hall. Those not on stage seemed inaudible anyway, which may have been due to microphone limits but also to the heavy scoring forthe main group , which drowned their contribution.
As in other new works I hear, I wondered whether the composer had thought very much about how the work would sound to an audience. It seemed to me that the same music could have been scored for a much smaller orchestra without any loss . I know that the idea was to employ the extra players from 'NYO Inspire' but I think there should have been some musical reason for their being there.
.
Comment
-
-
Just caught up with this one via the iPlayer. Really good Mahler 1. I share smittims' opinions of the new works but I might give them another listen to see if they leave any more of an impression.
Great to see all those young musicians giving such committed performances and evidently enjoying themselves too. Hopefully this means that classical music has a bright future.
Agree with kernelbogey re the tv presenters - the 'mute' button was used a lot!
Comment
-
-
Originally posted by hmvman View PostJust caught up with this one via the iPlayer. Really good Mahler 1. I share smittims' opinions of the new works but I might give them another listen to see if they leave any more of an impression.
Great to see all those young musicians giving such committed performances and evidently enjoying themselves too. Hopefully this means that classical music has a bright future.
Agree with kernelbogey re the tv presenters - the 'mute' button was used a lot!
Mind you the career (or even just making a living ) prospects now aren't good even for those who have had that opportunity.
Comment
-
Comment