Originally posted by edashtav
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Prom 23: Rachmaninov / Busoni, LPO / LP Choir / Rodolfus Choir, Grosvenor / Gardner
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Originally posted by ostuni View PostA
Not the best area to hear the piano, as others have suggested - but a great place to observe and enjoy Busoni's orchestration (full of interesting and unusual touches). And to enjoy Rachmaninov's use of percussion in the Dances. Last time I heard the SD live was from within the orchestra (playing trombone 1 in a Gloucestershire amateur orchestra: as one whose comfort zone was the trombone 2 seat, I was concentrating too much on my section to be able to enjoy the full riches of Rach's orchestration…).
Choir East again for Suk's Asrael in a few weeks: anyone else?!
My amateur experience of SD was playing piano in movements 1 and 2, then bass drum in movement 3. Thank goodness SR made the piano writing straightforward compared with his concertos, though counting was a pig. I thought the piano was nicely well forward in the radio balance.
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A lot of plaudits here for Ogdon's pioneering recording, but for me the greatest performances of this piece are still the Donohoe/Elder/BBC SO 1988 Proms (recorded for posterity by EMI - nla) and the Hamelin/Elder. Something tells me that it won't be long before Grosvenor/Gardner et al is commercially released.
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I'd like to hear that Donohoe: I didn't know he'd recorded it. As a Beecham fan I like his version, with Noel Mewton-Wood . (a radio tape issued by SOMM). who also recorded it on an early Lp.
PS. At least I thought he did, but I can't find a reference to it, so my memory may be playing tricks. I was probably thinking of another work.
Thansk, Simon, for the video. 'Barnstorming' is certainly the word for Peter Donohoe, a magnificent pianist whose performances I've enjoyed nn many occasions. He is also, by the way, a very nice man.Last edited by smittims; 08-08-24, 06:47.
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Originally posted by smittims View PostI'd like to hear that Donohoe: I didn't know he'd recorded it. As a Beecham fan I like his version, with Noel Mewton-Wood . (a radio tape issues by SOMM). who also recorded it on an early Lp.
Piano Concerto in C Major Opus 39 by (1.-4.Mov.)Ferruccio BusoniI. Prologo e Introito. Allegro, dolce e solenneII. Pezzo giocoso. Vivacemente, ma senza frett...
Rather more barnstorming approach than Grosvenor - and ultimately even more satisfying in that regard as a result (to these ears anyway).
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Originally posted by Sir Velo View PostA lot of plaudits here for Ogdon's pioneering recording, but for me the greatest performances of this piece are still the Donohoe/Elder/BBC SO 1988 Proms (recorded for posterity by EMI - nla) and the Hamelin/Elder. Something tells me that it won't be long before Grosvenor/Gardner et al is commercially released.
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Originally posted by jonfan View PostErr, I too was in Choir East, top row. Is this a not so secret meeting place for Forumistas at the Proms?
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Originally posted by Kingfisher View PostThe Times reviewer might like to know that the Rodolfus Choir sounded older than their years because most of the singers were from the London Philharmonic Choir!
Busoni did ask for the Choir to be invisible so I suppose he had an excuse.
Bit more here about the lpc input.
*Although the Foundation does run Junior Choral courses.
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Originally posted by oddoneout View Post
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Having heard the aftrenoon repeat, I was deeply moved by both performances. The Rachmaninov was worthy to sit beside the classic Ormandy and Kondrashin recordings of this wonderful work.
Among the many excellencies of the Busoni performance I liked the way Ben Grosvenor brought out the quiet passages. One tends to use metaphors of size with this work, , but it's also a maze of subtle nooks and crannies. And well done Ed Gandner for holding the symphonic structure together so convincingly. Another peak for the LPO to add to their illustrious history.
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Originally posted by smittims View PostHaving heard the aftrenoon repeat, I was deeply moved by both performances. The Rachmaninov was worthy to sit beside the classic Ormandy and Kondrashin recordings of this wonderful work.
Among the many excellencies of the Busoni performance I liked the way Ben Grosvenor brought out the quiet passages. One tends to use metaphors of size with this work, , but it's also a maze of subtle nooks and crannies. And well done Ed Gandner for holding the symphonic structure together so convincingly. Another peak for the LPO to add to their illustrious history.
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Originally posted by Nick Armstrong View Post
And you’ll have a chance to compare a different orchestra with the same pianist in the early hours of Sunday morning in the opening concert on TTN, when (London-bus style) along comes another Busoni piano concerto performance!
https://www.bbc.co.uk/programmes/m0021r1mOriginally posted by Serial_Apologist View PostThe Busoni is being repeated on TTN tonight: third item on the agenda, following Ethel Smyth's The Wreckers overture and Schumann Rhenish symphony."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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