Originally posted by Belgrove
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Prom 5: Schoenberg / Zemlinsky, BBC NOW, Bancroft
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Originally posted by Belgrove View PostI wonder if Debussy heard Arnold’s take on the subject, and if so, what he thought of it? Possibly not sufficiently Russian (😉)?
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Schoenberg's Pelleas und Melisande is the subject of September's BBC MM Building a Library feature (Erik Levi).
The choices are as follows.
The best recording:
Frankfurt Radio Symphony Orchestra/Järvi
Three other great recordings:
BPO/Karajan
Chicago SO/Boulez (1992, the earlier of his two recordings)
Gürzenich Orchestra of Cologne/Stenz
One to avoid:
Orchestre de Paris/Barenboim
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Thanks , that's interesting. I have to say, though, that I've always been sceptical of their 'one to avoid' mentions. In my view, anyone who 'avoided' Karajan's 1971 Bruckner 7 or Beecham's set of the last 12 Haydn symphonies is missing a uniquely valuable musical experience.
I'd forgotten that Barenboim recorded the work, though I find I have a copy! I'll give it a spin some time and see if I can guess why they didn't like it. For me the two 'reference' recordings are by Robert Craft , Toronto 1964 and Abbey Road, 1999, though I also admire the Karajan and Barbirolli (yes, surprisingly, JB recorded it for HMV ) . . Incidentally, Boulez recorded it also in the 1970s with the New York Philharmonic and in 2006 with the Gusatv Mahler Jugendorchester.
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Originally posted by smittims View PostThanks , that's interesting. I have to say, though, that I've always been sceptical of their 'one to avoid' mentions. In my view, anyone who 'avoided' Karajan's 1971 Bruckner 7 or Beecham's set of the last 12 Haydn symphonies is missing a uniquely valuable musical experience.
I'd forgotten that Barenboim recorded the work, though I find I have a copy! I'll give it a spin some time and see if I can guess why they didn't like it. For me the two 'reference' recordings are by Robert Craft , Toronto 1964 and Abbey Road, 1999, though I also admire the Karajan and Barbirolli (yes, surprisingly, JB recorded it for HMV ) . . Incidentally, Boulez recorded it also in the 1970s with the New York Philharmonic and in 2006 with the Gusatv Mahler Jugendorchester.
Schoenberg: Pelleas und Melisande, Op. 5, etc.. Apex: 2564699845. Buy download online. Pierre Amoyal & Peter Serkin Chicago Symphony Orchestra & London Symphony Orchestra, Pierre Boulez
I found the later one, though no mention of an NYPO one (though his NYPO recording of Verklärte Nacht has been coupled with the OdeP Barenboim Pelleas).
Regarding the Barenboim performance, Levi says:
As a brilliant Wagner conductor, you'd expect Daniel Barenboim to be one of the ideal interpreters of this work. He certainly negotiates the ebb and flow of Schoenberg's musical argument vert convincingly, but is rather let down by some indifferent playing from the Orchestre de Paris. Sony's engineering does him no favours either, with a congested sound in the big climaxes as well as unexpected spotlighting of solo instruments and muffled textures in some other passages.
(One for Pedants' Paradise and/or our Grumble Thread!)
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Given the discussion above I've put this here. I took the opportunity to catch up on two recordings of the Schoenberg that I hadn't heard for years. Barenboim's 1977 Orchestre de Paris (but oddly not published till 1984) pleased me very much. I can't understand why The BBC Music Magazine called it 'one to avoid'. I thought it as good as Karajan or Barbirolli.
The other was Robert Craft's first recording, made in Toronto in 1964 with the CBC Orchestra, probably in time left over from a Stravinsky Session. I understand Igor Feodorovitch insisted that Bob be allowed to do this on several occasions. It must have been done in minimal rehearsal time, but for all that it's one of my favourite two recordings of the work,the other being his CD with the Philharmonia, made at Abbey Road. I listened to it on my 50-year old CBS Lp, and the quality is amazingly good considering its age. It will, I expect, be in the recent big SONY box, whish I don't have as I have nearly all his recordings in other formats. And it;s probably oi Spotify if anyone wants to hear it.
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I used to think it crazy for a 'December' edition to appear in October, but it was explained to me that if all magazines were published on the first of the month Newsagents' shelves would be bursting, then progressively empty. Simple,when you think about it.
I was also told that many monthly magazines could actually be given away free, as they are paid for by the adverts. But if they were free, no-one would think them worth reading, so the advertisers wouldn't advertise: a situation worthy of Franz Kafka.
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Originally posted by Pulcinella View PostA very quick turnaround time: this Zemlinsky performance features as part of the cover CD of the December 2024 issue of BBC MM, which has just arrived (Volume 33, Number 2).
The coupling is Szymanowski's Songs of the fairy-tale princess from a 2014 Prom.
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