Prom 33: Pejačević/A. Mahler/Rachmaninov, BBC Philharmonic, 9 Aug 2023

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  • bluestateprommer
    Full Member
    • Nov 2010
    • 3011

    Prom 33: Pejačević/A. Mahler/Rachmaninov, BBC Philharmonic, 9 Aug 2023

    Wednesday 9 August 2023
    19:00
    Royal Albert Hall

    Weber: Oberon – Overture

    Dora Pejačević:
    (a) 'Zwei Schmetterlingslieder', Op. 52 (first performance at The Proms)
    (b) 'Verwandlung', Op. 37b (first performance at The Proms)
    (c) 'Liebeslied', Op. 39 (first performance at The Proms)

    Alma Mahler-Werfel (orch. Colin and David Matthews):
    (a) 'Dies stille Stadt' (first performance at The Proms)
    (b) 'Licht in der Nacht' (first performance at The Proms)
    (c) 'Bei dir ist es traut' (first performance at The Proms)

    Rachmaninov: Symphony No. 1 in d, op. 13

    Dame Sarah Connolly, mezzo-soprano
    BBC Philharmonic
    John Storgårds, conductor​

    John Storgårds and the BBC Philharmonic return to the Proms for Rachmaninov’s First Symphony. Dame Sarah Connolly joins them for songs by Alma Mahler-Werfel and Dora Pejačević.


    Starts
    09-08-23 19:00
    Ends
    09-08-23 21:00
    Last edited by bluestateprommer; 09-08-23, 18:42. Reason: no interval
  • french frank
    Administrator/Moderator
    • Feb 2007
    • 30334

    #2
    Wednesday 9th August, 19.00: If the first-night audience was hostile to the 23-year-old Rachmaninov’s First Symphony, history has been far kinder, embracing its ability to reimagine Russian musical tradition.

    John Storgårds and the BBC Philharmonic are joined by mezzo-soprano Dame Sarah Connolly for turn-of-the-century songs by Alma Mahler-Werfel and Croatia’s Dora Pejačević, and the curtain rises with the overture to Weber’s Grand Romantic and Fairy Opera, written for London’s Covent Garden.
    It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

    Comment

    • bluestateprommer
      Full Member
      • Nov 2010
      • 3011

      #3
      Fine Prom just now from the BBC Philharmonic, Dame Sarah C. and John Storgards. One or two light tempo nudges in CMvW's Oberon overture (and my bad for omitting Weber in the Calendar header), but no matter, as the orchestra sounds in terrific form and JS paced the proceedings well. The Dora Pejačević:songs were and are charming, a more rewarding listen compared to her Overture from yesterday's Prom. In the brothers Matthews' orchestrations of Alma Mahler-Werfel's songs, I wondered at times if the instrumentation sounded just a little bit too much like her (first) husband's songs, but again, no harm done. Sarah Connolly sang smartly, although I heard a very pronounced wobble in her voice.

      Rachmaninov's Symphony No. 1 also got a very fine performance from JS and the orchestra. The very beginning had the slightest hesitation in phrasing, but again, no matter, as things settled very quickly and got down to business. It took me a long while to realize, after first hearing the work on recording in my mal-spent youth many years back (Ormandy & Philadelphia, Ashkenazy & Concertgebouw) how monothematic the work is, with the theme itself derived from the 'Dies irae'.

      Notable also: no applause between songs during the DP and AM-W 'sets' (though between the DP and AM-W 'sets', quite appropriately and justly), and no applause between movements of the Rachmaninov. This probably reflects the specific audience for this Prom, as this Prom is more of a connoisseur's program and not a more populist program like yesterday (at least in the main offering).
      Last edited by bluestateprommer; 09-08-23, 20:34. Reason: grammar edit

      Comment

      • edashtav
        Full Member
        • Jul 2012
        • 3670

        #4
        Originally posted by bluestateprommer View Post
        Fine Prom just now from the BBC Philharmonic, Dame Sarah C. and John Storgards. […]

        Rachmaninov's Symphony No. 1 also got a very fine performance from JS and the orchestra. The very beginning had the slightest hesitation in phrasing, but again, no matter, as things settled very quickly and got down to business. It took me a long while to realize, after first hearing the work on recording in my mal-spent youth many years back (Ormandy & Philadelphia, Ashkenazy & Concertgebouw) how monothematic the work is, with the theme itself derived from the 'Dies irae'.

        Notable also: no applause between songs during the DP and AM-W 'sets' (though between the DP and AM-W 'sets', quite appropriately and justly), and no applause between movements of the Rachmaninov. This probably reflects the specific audience for this Prom, as this Prom is more of a connoisseur's program and not a more populist program like yesterday.
        Great to see you back in action, again, bsp
        commitments made me miss the first half. I heard the Rachmaninov Symphony and responded much as you have. The finale was particularly finely played.

        Comment

        • Maclintick
          Full Member
          • Jan 2012
          • 1076

          #5
          Originally posted by edashtav View Post

          Great to see you back in action, again, bsp
          commitments made me miss the first half. I heard the Rachmaninov Symphony and responded much as you have. The finale was particularly finely played.
          Agreed. BSP has nailed it. An excellent Prom. FWIW, I wore out that Philadelphia/Ormandy LP when it was the only recording of Rachmaninov’s First Symphony available here in the UK- artwork featuring a Fabergé egg IIRC, though the connection to Rachmaninov eludes me….

          Comment

          • smittims
            Full Member
            • Aug 2022
            • 4210

            #6
            We could have a whole thread inexplicable cover-art, two of my favourites being the Ace of Diamonds reissue of Julius Katchen's Brahms 2nd concerto, a nice watercolour of, perhaps, a mediaeval Russian prince and princess, and the American Lps of Sir Adrian Boult's Beethoven symphonies, showing glamorous young ladies in what used to be called 'evening gowns'.

            Comment

            • Pulcinella
              Host
              • Feb 2014
              • 10976

              #7
              Originally posted by smittims View Post
              We could have a whole thread inexplicable cover-art, two of my favourites being the Ace of Diamonds reissue of Julius Katchen's Brahms 2nd concerto, a nice watercolour of, perhaps, a mediaeval Russian prince and princess, and the American Lps of Sir Adrian Boult's Beethoven symphonies, showing glamorous young ladies in what used to be called 'evening gowns'.
              There was a not dissimilar thread somewhere: maybe someone with a better memory (or ability to search) can resurrect it.

              Ah: there's this, but there may well be others.

              Comment

              • smittims
                Full Member
                • Aug 2022
                • 4210

                #8
                Thanks. There was also a coffee-table book some years ago of LP cover art, but , predictably perhaps, it showed only a few classical examples.

                Re the Prom: it was no surprise to hear the BBC Philharmonic give a profoud and moving rendering of Rachmaninov's first symphony; I especially enjoyed the third movement , slow enough to be satisfyingly luxuraint, but with a skilfully-maintained pulse to keep the music alive. Well done , John.

                I treasure memories of this orchestra doing this symphony some years ago under Gianandrea Noseda, who also gave a wonderful all-Rachmaninov Prom in 2011 , including 'The Bells'.

                Comment

                • Barbirollians
                  Full Member
                  • Nov 2010
                  • 11711

                  #9
                  Trying to catch up with missed Proms before they fall off Sounds. I also enjoyed this concert - the highlight for me was Dame Sarah Connolly in Alma Mahler's songs - not all that surprising I imagine that the Matthews orchestrated them in a way reminiscent of Gustav. I was not worried by any wobble in the voice ,

                  I am rather ambivalent about Rachmaninov 1 - it took the incendiary USSRSO/Svetlanov recording for me to warm to it . I agree this performance took off in the last two movements but the first two nearly had me reaching for the off switch .

                  Comment

                  • Alison
                    Full Member
                    • Nov 2010
                    • 6461

                    #10
                    Thanks Barbs, this was one of a fair few concerts I missed.

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