Prom 14: Noriko Koide / Beethoven / Elgar

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  • bluestateprommer
    Full Member
    • Nov 2010
    • 3010

    Prom 14: Noriko Koide / Beethoven / Elgar

    Tuesday 25 July 2023
    19:00
    Royal Albert Hall

    Noriko Koide: Swaddling Silk and Gossamer Rain (BBC co-commission: European premiere)
    Beethoven: Piano Concerto No. 3 in c, op. 37
    [Encore: Chopin: Nocturne, op. 9, no. 2]
    Elgar: 'Enigma' Variations (Variations on an Original Theme), op. 36

    Jan Lisiecki, piano
    BBC Symphony Orchestra
    Elim Chan, conductor​

    The BBC Symphony Orchestra and Elim Chan perform Elgar’s ‘Enigma’ Variations alongside Noriko Koide’s BBC commission Swaddling Silk and Gossamer Rain and Beethoven’s mighty Third Piano Concerto.


    Starts
    25-07-23 19:00
    Ends
    25-07-23 20:30
    Last edited by bluestateprommer; 28-07-23, 05:35.
  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20570

    #2
    19:00 Tuesday 25 July 2023
    Royal Albert Hall

    Noriko Koide: Swaddling Silk and Gossamer Rain (BBC commission: European première)
    Ludwig van Beethoven: Piano Concerto No. 3 in C minor
    Edward Elgar: ‘Enigma’ Variations


    Jan Lisiecki piano
    BBC Symphony Orchestra
    Elim Chan conductor

    Comment

    • french frank
      Administrator/Moderator
      • Feb 2007
      • 30329

      #3
      The Enigma I will not explain – its “dark saying” must be left unguessed …’ So wrote Edward Elgar of his career-making ‘Enigma’ Variations. What’s not in question, however, is the tender playfulness of orchestral variations inspired by the composer’s friends and family, including the noble, much-loved ‘Nimrod’.

      Pianist Jan Lisiecki joins Elim Chan and the BBC Symphony Orchestra for Beethoven’s Piano Concerto No. 3 – a Romantic tussle between conflict and lyricism. The concert opens with the European premiere of Noriko Koide’s silkworm-inspired Swaddling Silk and Gossamer Rain, commissioned for last year’s BBC Proms Japan.
      ​​
      It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

      Comment

      • smittims
        Full Member
        • Aug 2022
        • 4192

        #4
        Over the years I've become conviced that there is no 'other theme'; that the idea was what Elgar would call a 'jape'. I think he was miffed by the alacrity with which his friends identified the initials and wanted to tease them.

        Comment

        • jonfan
          Full Member
          • Dec 2010
          • 1438

          #5
          Only caught the Beethoven and the Elgar. Terrific, engaging performances as if newly discovered. At times both works seemed to be
          vehicles for a timpani concerti so forthright was the playing. Great stuff.

          Comment

          • Barbirollians
            Full Member
            • Nov 2010
            • 11709

            #6
            I am looking forward to cacthing up with this one. Was impressed with Chan's conducting of Grosvenor's Chopin concertos disc and always good to hear Lisiecki.

            Comment

            • smittims
              Full Member
              • Aug 2022
              • 4192

              #7
              I'm listening to the Koide now, and hoping it isn't going to be another of those static, fewer-notes-the -better pieces which seem to be in vogue this year. But no, it's turning out quite nice, rather like this morning's weather!

              Comment

              • Barbirollians
                Full Member
                • Nov 2010
                • 11709

                #8
                Outstanding Prom - lovely performance of the Beethoven 3 and encore and what a sensitive ,idiomatic exciting but never bombastic performance of the Enigma Variations.

                Comment

                • smittims
                  Full Member
                  • Aug 2022
                  • 4192

                  #9
                  I've heard the Variations a lot recently, for one reason and another, so I wasn't eager to hear this, but after reading your remarks I will catch up on this performance. It's a work that's been pulled about and distorted many times , so a fresh perspective is welcome.

                  I enjoyed the Koide much more than the Catherine Lamb and Helen Grime pieces discussed elsewhere: a pleasant piece of 'waiting-room' music. I wouldn't mind hearing it again (once?).

                  Comment

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