To me Waldemar's tics and excesses are as nothing compared to the true horror that is ... 'Whispering' Dan Cruickshank :shudderemoticon:
Rococo
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amateur51
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Originally posted by Sir Velo View PostI think you have been misled by the Start the Week feature into anticipating more music than the programme intends to include. Januszczak is very much a painting and visual arts bod. Any music heard in the programme will just be a mood setter.
I recorded some of his Baroque series but have never got round to watching them. How was he with Baroque music?
He's not the only offender, of course. Even if we do get more appropriate music in visual art programmes, we're rarely told what it is.
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Richard Tarleton
Originally posted by amateur51 View PostTo me Waldemar's tics and excesses are as nothing compared to the true horror that is ... 'Whispering' Dan Cruickshank :shudderemoticon:
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Since Brian Sewell's infamous interview on BBC's factual television (http://www.theguardian.com/commentis...t-brian-sewell), I find myself turning off every time I see a young presenter with plenty of vim going into raptures inside a cathedral or on a Chinese fishing junk or what have you. BBC 4 is littered with such vapid 'docs'. Thin on well-researched material, but laden with slow panning shots of some gimp mooning up at a balustrade.
Why did my licence fee pay me for me to watch some twerp go into ecstasies over this or that relic/art work/landscape on location? Why do they need to be there? What does it bring to see them gawping in am-dram astonishment at something? I don't experience their wonder vicariously; I simply feel enraged at having paid for someone to go on a jolly somewhere exotic.
The solution for arm-waggling imbeciles on location is simple: voice overs giving us 'just the facts, ma'am'.
NB. There are exceptions, Attenborough being one of them; Sister Wendy another.It loved to happen. -- Marcus Aurelius
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Originally posted by Thropplenoggin View PostSince Brian Sewell's infamous interview on BBC's factual television (http://www.theguardian.com/commentis...t-brian-sewell), I find myself turning off every time I see a young presenter with plenty of vim going into raptures inside a cathedral or on a Chinese fishing junk or what have you. BBC 4 is littered with such vapid 'docs'. Thin on well-researched material, but laden with slow panning shots of some gimp mooning up at a balustrade.
Why did my licence fee pay me for me to watch some twerp go into ecstasies over this or that relic/art work/landscape on location? Why do they need to be there? What does it bring to see them gawping in am-dram astonishment at something? I don't experience their wonder vicariously; I simply feel enraged at having paid for someone to go on a jolly somewhere exotic.
The solution for arm-waggling imbeciles on location is simple: voice overs giving us 'just the facts, ma'am'.
NB. There are exceptions, Attenborough being one of them; Sister Wendy another.
Where does she broadcast now? She is great.
and get your write up of today's gig underway, since you have time on your hands, if you don't mind. Time yet to beat the evening papers on the first review !! Hurrah !!I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Honoured Guest
Does anyone else fondly remember way back in 1980 when Waldemar Januszczak was a regular (maybe even weekly) guest on John Walters's new BBC Radio arts programme Walters' Weekly, broadcast on Saturday afternoons from 4.00 to 5.00? The two of them would walk around exhibitions together, with Waldy explaining and John responding to him and to the "ooh... art". Lovely show, lovely people - talking directly to their listeners. Plenty of time to fill as they wanted.
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I enjoyed this week's episode, though i could have done without Waldemar sprawling over a sofa in imitation of Boucher's Louise O'Murphy. Walking would have been preferable. At least he kept his clothes on.
One composer did get a mention - but only because he married Gainsborough's daughter. I can't remember his name.
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Originally posted by jean View Posthe married Gainsborough's daughter
[ did you follow that long explanation about the coded punctuation in the name Sans, Souci. ? ]
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My ideal presenter of any sort of arts programme is an unseen one, i.e. a voice, as in the excellent Nupen films. One does not really need a person seen travelling from place to place and pointing at things when cameras are there to do the pointing. However, given that the Beeb feels that the only way to 'engage' [can't you just hear them using that word?] its audience is to have an eccentric cavorting, then maybe Waldemar is sufficiently wacky to be acceptable. I mean, he isn't a hunk with three-day designer stubble. He isn't (obviously) a mindless bimbo. He is a blob. But he is knowledgeable on his subject, and though his way of delivering slightly shocking one-liners makes him a sort of Jeremy Clarkson of The Arts, one feels he brings occasional new insights into familiar subjects.
You just have to get over the talking-backwards-over-his-shoulder thing.
I must admit that when he began talking about Neptune's testicles, I just wished we still had Sister Wendy doing her stuff. Now that would be engaging.
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Originally posted by MrGongGong View PostIt's interesting how many people don't seem to like television and want to make it into something else.It loved to happen. -- Marcus Aurelius
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Richard Tarleton
Originally posted by Thropplenoggin View PostIn what way? By having voice-overs instead of arm-wagglers? Go back a few years and this was the norm, before 'personality'/'celebrity'-driven docs became mandatory, like sending renowned zoologist Ross Kemp to look at polar bears.
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