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  • scottycelt

    Originally posted by Serial_Apologist View Post
    The first two notes of Also Spracht Zarathustra make up a rising fifth, scotty.

    Horsemeat and lots of other questionable things make up a rissole.
    I'm now beginning to warm to 'rising fifths' if not rissoles, S_A ...

    Comment

    • Mr Pee
      Full Member
      • Nov 2010
      • 3285

      Originally posted by Serial_Apologist View Post
      The first two notes of Also Spracht Zarathustra make up a rising fifth, scotty.

      Horsemeat and lots of other questionable things make up a rissole.
      Of course, there are minor rising fifths, and major rising fifths. Also Sprach opens with a major fifth.

      If you want a quick reference for a minor fifth, the very first two notes of Tristan Und Isolde are one such. Or, on a somewhat lower level on the cultural spectrum and a different sort of love story...the feem toon from "Love Story".
      Patriotism is supporting your country all the time, and your government when it deserves it.

      Mark Twain.

      Comment

      • teamsaint
        Full Member
        • Nov 2010
        • 25251

        Originally posted by EdgeleyRob View Post
        That's very kind of you to say so Petrushka but I wouldn't class myself as any sort of expert on British music,just obsessively potty about the stuff.
        If that pottiness encourages others to investigate then I am very happy.

        I should warn you though that I am becoming increasingly obsessed with neglected Russian symphonies,so you might find yourself listening to Miaskovsky very soon.
        What usually happens now, is that Beef oven starts a thread such as

        " What somewhat unfairly but perhaps understandably neglected but actually very interesting and enjoyable Russian C20 symphony are you listening to now....."

        Anyway, the journey IS the thing, just keep at it doggedly.
        I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

        I am not a number, I am a free man.

        Comment

        • EdgeleyRob
          Guest
          • Nov 2010
          • 12180

          So does twinkle twinkle little star start with a major(?) rising fifth.
          See what I mean,who needs music theory text books.
          All we need to know is here,for which I am seriously thankful.

          Comment

          • teamsaint
            Full Member
            • Nov 2010
            • 25251

            Originally posted by EdgeleyRob View Post
            So does twinkle twinkle little star start with a major(?) rising fifth.
            See what I mean,who needs music theory text books.
            All we need to know is here,for which I am seriously thankful.
            yup. and if , for instance, you feel the need to sing a falling (and then rising)minor 6th, just sing the start of " Love Story".
            more upmarket suggestions here !


            (I'm giving the Schoenberg suggestions a swerve for now....)
            I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

            I am not a number, I am a free man.

            Comment

            • hedgehog

              Originally posted by Mr Pee View Post
              Of course, there are minor rising fifths, and major rising fifths. Also Sprach opens with a major fifth.

              If you want a quick reference for a minor fifth, the very first two notes of Tristan Und Isolde are one such. Or, on a somewhat lower level on the cultural spectrum and a different sort of love story...the feem toon from "Love Story".
              I feel I must correct this. Mr Pee: the terms 'major' and 'minor' are used only with the intervals of a 2nd, 3rd, 6th and 7th (or higher e.g. a maj. 9th which is an octave plus a major 2nd)

              The interval of a 5th as found at the opening of Also Sprach Zarathustra is a perfect 5th (it doesn't matter whether it is rising or falling) The interval of a tritone (eg F to B ) is called either an augmented 4th or a diminished 5th according to how the harmony is working .The first interval at the beginning of Tristan und Isolde is a minor 6th surely ( A - F) ?

              Comment

              • EdgeleyRob
                Guest
                • Nov 2010
                • 12180

                Originally posted by hedgehog View Post
                I feel I must correct this. Mr Pee - the terms 'major' and 'minor' are used only with the intervals of a 2nd, 3rd, 6th and 7th (or higher e.g. a maj. 9th which is an octave plus a major 2nd)

                The interval of a 5th as found at the opening of Also Sprach Zarathustra is a perfect 5th (it doesn't matter whether it is rising or falling) The interval of a tritone (eg F to B ) is called either an augmented 4th or a diminished 5th according to how the harmony is working .The first interval at the beginning of Tristan und Isolde is a minor 6th surely ( A - F) ?
                Now I'm confused,just when I thought I'd cracked it.

                Comment

                • Flosshilde
                  Full Member
                  • Nov 2010
                  • 7988

                  Originally posted by Serial_Apologist View Post
                  ... and the following three notes a rising perfect fourth, a rising major third, and a falling minor second, Floss...
                  Having been delayed by Brunhilde, I've now listened & can see (hear) it. I now have to remember them all, & try & recognise them in other, less clear, music

                  Comment

                  • hedgehog

                    Sorry ER. I did make a mistake - the interval F - B is an augmented 4th. The interval B - F is a diminished 5th. They are both a tritone, but are called differently according to how the interval is written and how the harmony is working. Sorry to confuse things even further. It doesn't really matter that much. But the interval at the beginning of Tristan und Isolde is most definitely a minor 6th.

                    Comment

                    • Flosshilde
                      Full Member
                      • Nov 2010
                      • 7988

                      I think I'll go back to 'I don't know much about music, but I know what I like'


                      (It's a bit like the old Radio 3 - I didn't understand much of what they said, but I did enjoy listening to people who knew & enjoyed what they were talking about)

                      Comment

                      • teamsaint
                        Full Member
                        • Nov 2010
                        • 25251

                        I sometimes think that the purpose of some parts of music theory IS to confuse things! A six semitone interval is a six semitone interval, for instance, whatever it is called.

                        Awaits beating .......(pun intended)
                        I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

                        I am not a number, I am a free man.

                        Comment

                        • Beef Oven

                          Originally posted by Flosshilde View Post
                          I think I'll go back to 'I don't know much about music, but I know what I like'
                          In your wardrobe?

                          Comment

                          • Flosshilde
                            Full Member
                            • Nov 2010
                            • 7988

                            I came out of the closet some time ago.

                            Comment

                            • EdgeleyRob
                              Guest
                              • Nov 2010
                              • 12180

                              Originally posted by hedgehog View Post
                              Sorry ER. I did make a mistake - the interval F - B is an augmented 4th. The interval B - F is a diminished 5th. They are both a tritone, but are called differently according to how the interval is written. Sorry to confuse things even further.
                              No problem Hedge,I just wish I knew all that stuff.

                              Comment

                              • mangerton
                                Full Member
                                • Nov 2010
                                • 3346

                                Originally posted by EdgeleyRob View Post
                                Now I'm confused,just when I thought I'd cracked it.
                                I'm not going to be drawn into a discussion of whether it's "classical" or not, but the first two notes of Bernstein's "Maria" are an augmented fourth or tritone.

                                Comment

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