Originally posted by Boilk
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University Challenge
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"I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
Lady Bracknell The importance of Being Earnest
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Originally posted by LHC View PostThe trombone introduction to the Tuba Mirum in Mozart's Requiem (question 3 of the bonus round) was also used for a 'name that tune' segment in Face the Music many years ago. The only reason I remember this is that I recognised it immediately and was very surprised when, like last night's students, none of Joseph Cooper's guests were able to identify it.
The reason I recognise it is that I once had to try and play it without an alto trombone (it’s very high)"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Yes, but definitely written for the tenor trombone - as with virtually all Classical sacred music including trombones, the standard scoring was for ATB instruments (and thenTuba Mirum solo is for Trombone 2).
A bit of trombone HIP-geekery: that Ab at the top of the first quaver arpeggio was customarily played in 1st position in Mozart's day.
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Originally posted by ostuni View PostYes, but definitely written for the tenor trombone - as with virtually all Classical sacred music including trombones, the standard scoring was for ATB instruments (and thenTuba Mirum solo is for Trombone 2).
Yes, by strange coincidence I came across my part for it yesterday for the first time in 20 years (while looking for something else, which I couldn’t find, as usual! )
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by smittims View PostBrahms 2 and Beethoven 6 include some high note for the first trombone. I suppose these days they're played on a tenor.
I recently played Dvorak 7 and there are a couple of high bits which challenge my amateur lips & tenor trombone - fortunately not solos (I confess to playing them an octave down in the concert )"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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In the past, I put on a concert of Bruckner's motets including the ones with trombones. (Ecce sacerdos is rather spectacular...with organ too.) To get the best value out of the three trombonists we hired, we also programmed Bruckner's two Aequali for bass, tenor and alto trombones. They are rather short, ordinary and chordal pieces. In short, a bit bland compared with the glory of the motets, and I rather wish we hadn't bothered with them
Back to University Challenge, Mrs A and I found the questions in last week's programme, er, challenging. (Only got a couple of answers. ) OTOH tonight's seemed easier by far and we were on a bit of a roll. The scores of the teams were quite high, which seems to support the 'easier question' theory. Anyone else find that this was so?
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Originally posted by Nick Armstrong View Post
Yes, by strange coincidence I came across my part for it yesterday for the first time in 20 years (while looking for something else, which I couldn’t find, as usual! )
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Originally posted by cloughie View Postthe legal mind, calm, collected and everything in its place.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by Ein Heldenleben View PostIt is my considered belief that the classical music questions are getting harder."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Nick Armstrong View PostThe answers to this week’s classical music round plumbed a new depth or two
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Originally posted by Ein Heldenleben View PostNutcracker for The Rite …ye Gods . I didn’t get the Glass but perversely I’m rather proud of that. All I can say is that I know one or two things about Durham. There are some superb musicians there . It has a lovely music school just in front of the Cathedral and the Vice Chancellor is the inestimable Sir Thomas Allen . Just a pity that he and a few others weren’t on the team.
PS A nit-picker writes: Thomas Allen is Chancellor, a ceremonial post, which might involve song or two. If he were Vice-Chancellor, he would be running the place.
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Originally posted by Ein Heldenleben View PostNutcracker for The Rite …ye Gods . I didn’t get the Glass but perversely I’m rather proud of that. All I can say is that I know one or two things about Durham. There are some superb musicians there . It has a lovely music school just in front of the Cathedral and the Vice Chancellor is the inestimable Sir Thomas Allen . Just a pity that he and a few others weren’t on the team.
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Originally posted by gurnemanz View PostPoint taken on Nutcracker/Rite. However, the Durham team, especially their captain, were very knowledgeable and quite young. I think the average age was about 20, a time when many people just start getting into classical music. That was the case with me. I was an undergraduate at Durham and used to like taking in evensong in the cathedral of an afternoon. The Chorister School next to the cloisters was very near my college, St Cuthbert's.
PS A nit-picker writes: Thomas Allen is Chancellor, a ceremonial post, which might involve song or two. If he were Vice-Chancellor, he would be running the place.
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