A further perusal of my little book listing all the 78s I was given in the early 80s revealed an unfamiliar name, Edwin Fischer and as the pieces recorded by him were unknown to me (shame I hear you cry!) they form my next project after Lili Kraus. I kinda hope they will generate a little more interest but who knows? The performances are of
Bach, Piano (Cembalo?) Concerto in F minor
Mozart, Piano Concert in E flat major, K.482
Schumann, Fantasy in C minor , Op 17
The Bach is very concise and melodic, the slow movement being a "paler shade of "whiter shade..."" if that's not too obscure. The Mozart is a big production, Trumpets, Horns and Drums to beef up the texture. The 3rd movement is odd in that there is a contrasting section, Andante cantabile before we return to the rumpty-tumpty rhythm of the movements start and end..with a sort of false ending to keep you on your toes. Learned Board members will no doubt be able to identify the cadenzas. The Schumann is a rhapsodic piece as its title suggests and the pianists task is to control the ebb and flow of the music keeping the listener involved. I think that Fischer does this superbly with a limpid tone for passagework and contemplative sections but with plenty of muscular drive elsewhere. I also have three Schubert impromptus by him but thought I would put them up at a later date with a Schubert Sonata in A minor by Lili Kraus and any other Schubert piano pieces I've got.
Bach, Piano (Cembalo?) Concerto in F minor
Mozart, Piano Concert in E flat major, K.482
Schumann, Fantasy in C minor , Op 17
The Bach is very concise and melodic, the slow movement being a "paler shade of "whiter shade..."" if that's not too obscure. The Mozart is a big production, Trumpets, Horns and Drums to beef up the texture. The 3rd movement is odd in that there is a contrasting section, Andante cantabile before we return to the rumpty-tumpty rhythm of the movements start and end..with a sort of false ending to keep you on your toes. Learned Board members will no doubt be able to identify the cadenzas. The Schumann is a rhapsodic piece as its title suggests and the pianists task is to control the ebb and flow of the music keeping the listener involved. I think that Fischer does this superbly with a limpid tone for passagework and contemplative sections but with plenty of muscular drive elsewhere. I also have three Schubert impromptus by him but thought I would put them up at a later date with a Schubert Sonata in A minor by Lili Kraus and any other Schubert piano pieces I've got.
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