As one who regards electric pianos as fakes, I nevertheless appreciate their uses, and have played on many such instruments.
The early Yamaha Clavinovas had a good basic sound, but a pp sounded as though the instrument had receded into the next room, and a crescendo was more like a staircase than a slope. Both of these annoying characteristics have been sorted out.
The Roland electric pianos I have tried sounded OK, but don't seem to be as well made, with notes that fail altogether and others where the touch sensitivity has died, resulting in a sforzando every time that note is played. Yet other people have better experiences of the Rolands.
An instrument that really does interest me is the Yamaha AvantGrand N3. It's massively expensive - over £13,000, but is brilliant to play. I just wonder whether it's worth that amount of money.
I have a Steinway, so it may seem strange, but at some time in the future, Frau A and I might be buying a flat in York, where a Steinway might be a problem.
The early Yamaha Clavinovas had a good basic sound, but a pp sounded as though the instrument had receded into the next room, and a crescendo was more like a staircase than a slope. Both of these annoying characteristics have been sorted out.
The Roland electric pianos I have tried sounded OK, but don't seem to be as well made, with notes that fail altogether and others where the touch sensitivity has died, resulting in a sforzando every time that note is played. Yet other people have better experiences of the Rolands.
An instrument that really does interest me is the Yamaha AvantGrand N3. It's massively expensive - over £13,000, but is brilliant to play. I just wonder whether it's worth that amount of money.
I have a Steinway, so it may seem strange, but at some time in the future, Frau A and I might be buying a flat in York, where a Steinway might be a problem.
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