Originally posted by waldhorn
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Does anyone still use or like vinyl?
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There are some interesting issues here.
CD has already proved a fairly long lived format...and I would assume that in terms of data storage its hopelessly outdated. However it remains a popular and reasonably convenient format.
An Inspector calls suggests that ripped and burned Cd-r's may not have a long shelf life....have I got this right?
In publishing, print on demand , and E formats will take a large part of the market, although I am convinced that paper has a long future as part of the mix.
In music, it certainly makes sense, for the industry at least,to try to move the market away from CD's as they are sold now, towards download.
For the large part of the market that still likes a "real" product in their hand, like me, I would have thought that packaging downloads so that the customer can create their own hard copy...sleeve notes, cover art etc, could be made more attractive. The industry gets to avoid all that nasty warehousing, pressing, risk etc...and the public gets what it wants...well kind of !
Actually, that's not what I want to see, but you can see the attraction for the record company accountant looking at their CD pressing bill.
I don' know the economics of CD "print on demand", though I suspect they wouldn't bring product price down...as Naxos are showing, there is upwards pressure on price already.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by waldhorn View PostOh dear, I was thinking of getting one of those Brennan machines!
is there something 'not right' about it, that we should be told?
Doesn't it do what it says 'on the tin'?
I have seen and heard a Brennan. It was OK for background music, and the owner is quite pleased with it. In honesty it didn't sound terrible, but I didn't hear it under decent listening conditions.
Others seem to think you can do rather better for the same money. The limitations on formats does seem a problem area to me. Either compressed .mp3 or space wasting .wav files.
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Originally posted by Dave2002 View PostThe limitations on formats does seem a problem area to me. Either compressed .mp3 or space wasting .wav files.
given that "space" is now absurdly cheap i'm not sure that an uncompressed format is "wasting"
I guess it depends on whether you are interested in the actual sound of the music rather than music as a commodity that you have to possess
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I started burning to CD-R in early 1998. At that time the lowest discount price I could find for blank CD-Rs was £1.60 each for Sony branded 74 minute discs. They still play perfectly well today. They do, however, have a gold reflective layer. Currently spinning here is Michael Finnissy's Ngano, burned to CD-R in June 1998. On the same disc is Shostakovich's 14th Symphony (Joan Rogers, Neal Davies, BBCNOW, Mark Wigglesworth). Both performances recorded from Radio 3 FM. I have CD-R from the intervening period which have not lasted. I now try to stick to Taiyo Yuden manufactured discs when I can afford them. I also have a few 'bronzed' pressed discs from the PDO debacle.
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Originally posted by MrGongGong View Post"space wasting" ????
given that "space" is now absurdly cheap i'm not sure that an uncompressed format is "wasting"
I guess it depends on whether you are interested in the actual sound of the music rather than music as a commodity that you have to possess
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Originally posted by MrGongGong View Post"space wasting" ????
given that "space" is now absurdly cheap i'm not sure that an uncompressed format is "wasting"
I guess it depends on whether you are interested in the actual sound of the music rather than music as a commodity that you have to possess
There are also people who claim that .wav files sound better to them than equivalent lossless formats. This has so far defied rational explanation.
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Bryn, might I ask what is a Taiyo Yuden manufactured disc, and how I would recognise one if I came across one?
As for .wav files sounding better than files in equivalent lossless formats, this is patently nonsense, unless ... I suppose that the uncompressed files would have a greater error-correction capability if there was any degradation of the data.
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Originally posted by David-G View PostBryn, might I ask what is a Taiyo Yuden manufactured disc, and how I would recognise one if I came across one?
As for .wav files sounding better than files in equivalent lossless formats, this is patently nonsense, unless ... I suppose that the uncompressed files would have a greater error-correction capability if there was any degradation of the data.
David-G, this should tell you what you want to know about Taiyo Yuden. Their discs are generally held to be the most reliable. However, due to that very fact, there are those who seek to produce and sell fake Taiyo Yuden media. Don't expect to pay less than £30 per hundred for the most basic Taiyo Juden branded CD-Rs.Last edited by Bryn; 13-09-12, 22:30.
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Originally posted by Bryn View PostAhem. MrGG, .wav files are decidedly space wasting. All the data needed to represent the music in them can be trimmed to around half the quantity by FLAC or other lossless codecs.
but my point was more that space is now so absurdly cheap that i'm not sure that I would consider it "waste"
if I can buy a 500 gig HD for £60 etc etc
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Originally posted by MrGongGong View PostIndeed
but my point was more that space is now so absurdly cheap that i'm not sure that I would consider it "waste"
if I can buy a 500 gig HD for £60 etc etc
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Originally posted by David-G View Post
As for .wav files sounding better than files in equivalent lossless formats, this is patently nonsense, unless ... I suppose that the uncompressed files would have a greater error-correction capability if there was any degradation of the data.
Other impressions may relate to specific discs, such as HDCD discs, which could get ripped without the extension to 20 bits data from the CD if not done correctly.
Finally, software coding errors in the software either on encoding or decoding, could cause problems, It's not so long ago that a couple of versions of iTunes had software bugs which rendered some CD rips unlistenable to. Re flac encoding/decoding, there is a consensus that the software is OK and it has been designed and tested thoroughly.
We assume that there are are no significant errors in the software and hardware we use every day, but mostly we have to take this on trust, and also use kit and software which we like.
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An_Inspector_Calls
Originally posted by teamsaint View PostAn Inspector calls suggests that ripped and burned Cd-r's may not have a long shelf life....have I got this right?
Since many CD producers are now using CD-Rs (eg Lyrita) I would be cautious about their prospects for a long life.
Given the expense of CD-audios (albeit small), the time and cost it takes to burn them, label and store them, and the lack of proven reliability, I'd much rather just take the initial digital music file and dump it to a magnetic disc. Yes, magnetic disc can fail as well, but it's far easier to protect against that than CD-audio failure. The same magnetic disc (or actually multiple discs) can then also store any downloads, and iPlayer dumps can go straight there as well. Converting to .flac saves space and also reduces transfer times between varuious devices. I play using wireless connected squeezeboxes.
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An_Inspector_Calls
Originally posted by David-G View PostBut with high-quality music, 500 Gb does not go such a long way. I have virtually filled my 500 Gb drive, and likewise my second one which is a backup of the first. And £100 or so for another couple of drives is not a trivial amount of money. I should probably seriously think of compressing my wavs to flacs.
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