Originally posted by ardcarp
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Sibelius 8th on Radio 4 this morning
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What a disappointing programme! Vast majority of what we heard is already common knowledge. Why was there not more about where these sketches came from and how they were authenticated? How did they survive when S is supposed to have burned the [complete?] score? If he was that bothered why let fragments survive? Anyway the snippets did sound strange but not unSibelius like, having said that there was precious little of it.
They appear to be on You Tube:
In October 2011, the Helsinki Philharmonic, under John Storgaards, played, for the first time, three sketches from the legendary "lost" Eighth Symphony of...
Let's hope that next Tiwsday evening will reveal more. That he seemed more at peace after he'd burned it is interesting. This quote from a mesage board about these fragments:
"We can still hope that the parts of the 8th symphony that Paul Voigt copied out in the 1930′s might still come to light." How did he get hold of them then?
Part of the story here:
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Roehre
Originally posted by Gordon View Post.... This quote from a mesage board about these fragments:
"We can still hope that the parts of the 8th symphony that Paul Voigt copied out in the 1930′s might still come to light." How did he get hold of them then?
Part of the story here:
http://www.fmq.fi/index.php?option=c...118&Itemid=133
That happened. At thus Voigt was the last person to have seen an actual score of [a mvt of] the 8th symphony.
As far as sketches are concerned: like Beethoven's 5000 pages or so Sibelius left a pile of a couple of thousand pages of sketches and finished scores, which his estate lent to the University of Helsinki's Library, where the finished and performable scores have been assessed, catalogued and partly published- and been recorded by BIS.
The rest of the manuscripts are now under research - all of these are sketches which are with certainty not straightforwardly performable works. Perhaps some may be reconstructed by putting together pages which have become separated (as from time to time happens with Beethoven's), but that is not very likely to happen.
In this respect to have 3 fragments of an orchestral score which MIGHT be fragments of the 8th is in itself already remarkable enough.
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I have no idea what led to his virtual abandonment of composition for well-nigh the last 30 years of his life.
*Also evidenced in some of the Five Sketches Op 114 for piano, of 1929
What a disappointing programme! Vast majority of what we heard is already common knowledge.
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I heard this, and found it quite interesting though not news save for the few minutes at the end which were actually about the Eighth - as mentioned above, with people talking over the music
But it seems as if it was all rather a long trailer for the main event, which is the interval programme to Tuesday's prom and when the full extant extracts will apparently be played uninterrupted http://www.bbc.co.uk/programmes/b01kpw91
I see Elder, Service et all are also announced for this programme too. I do find Elder's brand of rather facile earnestness sticks in the craw... (as mentioned on another thread)"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Roehre
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