Originally posted by decantor
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Music for 2012 Olympics
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Originally posted by decantor View PostQuilter's Non Nobis is a setting of words by Kipling, and the music, written in 1934, matches Edwardian sensibilities.Originally posted by Flosshilde View PostA piece written in 1934, performed in 1948, matching Edwardian sensibilities? As Ardcarp said, ludicrously backward-looking.
Non Nobis, Domine!
Not unto us, O Lord,
The praise and glory be
Of any deed or word.
For in Thy judgement lies
To crown or bring to nought
All knowledge and device
That man has reached or wrought.
And we confess our blame,
How all too high we hold
That noise which men call fame,
That dross which men call gold.
For these we undergo
Our hot and godless days,
But in our souls we know
Not unto us the praise.
O Power by whom we live
Creator, Judge and Friend,
Upholdingly forgive,
Nor leave us at the end.
But grant us yet to see,
In all our piteous ways,
Non Nobis, Domine,
Not unto us the praise.
...and Quilter responded with a singable setting. Pure occasional music, but of quality. If it was used for the 1948 games, then I can understand why it was seen as appropriate, for the previous games had been the highly political 1936 Olympics in Berlin.
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Originally posted by Flosshilde View PostEdward VII - the monarch who's reign is usually described as 'Edwardian' - died in 1910, so a piece written in 1934 which 'matched Edwardian sensibilities' (whatever they are, as you say) was surely thoroughly backward looking.
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It wasn't me that mentioned Edwardian sensibilities first, sir. Can anyone explain what they are?
Kipling's poem does have a lot to say that counters the hype & folly of modern Olympics. Perhaps there should be a new setting, to be sung at the start of each day by a choir made up of LOCOG (yuk), the Cabinet, & the international Olympic committee. The latter could adopt it as their anthem, sung at the beginning of each committee meeting.
(although I have doubts about the first & third verses)
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It was a choir of 1200 amateur choral singers singing Non Nobis Domine in front of an audience of thousands,at Wembley and seen on film. Hardly the setting for anything but that kind of Anthem. It kicked off the Games to a rousing start. You can't just throw out all the past, even if you wish to.
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Goodness me no - that's the last thing I'd want to do. But we can't constantly hark back to the past as the only source of what is good. As Mr GongGong said originally (I think) why can't the Olympics have good, new, live music, sung by massed choirs perhaps, rather than people miming? Leaving aside what I think of the Olympics, the opening is just the occasion for that sort of music.
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Originally posted by Flosshilde View PostGoodness me no - that's the last thing I'd want to do. But we can't constantly hark back to the past as the only source of what is good. As Mr GongGong said originally (I think) why can't the Olympics have good, new, live music, sung by massed choirs perhaps, rather than people miming? Leaving aside what I think of the Olympics, the opening is just the occasion for that sort of music.
I agree but music for an occasion should have stood the test of time surely Flossie. I spent years trying to promote new works and very few of the pieces I dealt with are played today. Most publishers will tell you the same. Bring on new works certainly but there must be a balance. And people miming, yuk.
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Originally posted by salymap View PostIn the 1948 Olympic Games at Wembley Stadium, the opening ceremony had Sargent conducting the Royal Choral Society in Roger Quilter's Non Nobis Domine. I remember it because I had friends in the Choir who talked about it.
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National Provincial Bank Choir
I thoroughly enjoyed blasting it out as a treble - so much so that I bought my own copy so that I could accompany myself at home
Should I return it after all these years?
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It's a long time ago [1948] but I remember that Sargent either said or wrote that conducting all those choirs was a bit like having an octopus on a lead. They were all rehearsed by their own choir masters and came together for the Ceremony I suppose. I only heard the RCS at rehearsal singing it but liked it. Sorry
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Originally posted by ardcarp View PostMy story is almost identical...except my copy (in front of me now)...has ******* School stamped on it. Should I return it after all these years?
I apologise that my loose terminology in speaking of "Edwardian sensibilities" caused so much confusion. I was looking for a shorthand way to refer to patriotic songs in the Parry/Elgar tradition: musically, Quilter's unison Non Nobis would not be out of place towards the end of the last night of the Proms. It's actually a very good tune of its type, and I found myself humming it endlessly while working in the garden in today's sunshine. With altered words (Pro nobis, Domine?), it would have made a great School Song - if you can recall that largely defunct species. I see no reason to disparage music where all feel free and able to join in. If nothing else, Non Nobis is inclusive - why kick it?
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If nothing else, Non Nobis is inclusive - why kick it?
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