I was thinking today about works that become so successful that their composers end up hating them. The two instances that came to mind were Rachmaninov and his C sharp minor prelude, and Grainger with Country Gardens (his 1949-50 orchestration for Stokowski, far more dissonant than the usual versions we hear, demonstrates his mixed feelings about this work IMO).
IIRC Faure got fed up with the continuing popularity of some of his early songs when he hoped the public would be paying attention to his late (too elusive?) masterpieces.
Any other examples?
IIRC Faure got fed up with the continuing popularity of some of his early songs when he hoped the public would be paying attention to his late (too elusive?) masterpieces.
Any other examples?
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