before you give clues can I quickly guess either London or Louisville?
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Originally posted by mercia View Postbefore you give clues can I quickly guess either London or Louisville?
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View PostI'm going to have to push you to choose one! And why!
London because the Ibert Bacchanale was written for an anniversary of the Third Programme, so ...... BBC .....London, and Panufnik I think lived in London, can't connect the Honegger
or Louisville for the not very good reason that the Ibert and Honegger both appear on a Louisville SO CD, can't connect the Panufnik
so ........... far from convincing, and very incomplete
EDIT - well I've now found the Panufnik on another Louisville CD, but I'm sure this can't be the connectionLast edited by mercia; 10-12-11, 17:31.
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Originally posted by mercia View Posttrouble is they're not very good reasons
London because the Ibert Bacchanale was written for an anniversary of the Third Programme, so ...... BBC .....London, and Panufnik I think lived in London, can't connect the Honegger
or Louisville for the not very good reason that the Ibert and Honegger both appear on a Louisville SO CD, can't connect the Panufnik
so ........... far from convincing, and very incomplete
EDIT - well I've now found the Panufnik on another Louisville CD, but I'm sure this can't be the connection
Well I think you've got it: but a conflict of sources throws some confusion into the mix. The connection is Louisville, mercia
The presence on those records is due to the fact that, according to what I read, all three pieces were commissioned by the Louisville Orchestra (as indeed was Ibert's "Louisville-Concert" (but that would have been too easy):
Honegger's "Suite Archaique"
Panufnik's "Nocturne for Orchestra"
Ibert "Bacchanale"
But but but
I see another source is confirming that you're right mercia, Bacchanale was written for the 10th anniversary of the Third Programme.
What to do? Mercia, whilst handing you a for getting there despite the confusion, I wonder if you would like me to relieve you of the M as penance for my imperfectly researched L? I always sense that you are happy to be relieved of setting questions!!
On the other hand, I think scb was on the trail, so maybe if he has an M burning a hole in the brain....??
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by mercia View Postah, well I was obviously way off the mark so SCB should definitely pick up the baton
You weren't!! What the L are you talking about? You were on the button!!
However... SCB???
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by mercia View Postah, well I was obviously way off the mark so SCB should definitely pick up the baton[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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SCB seems to be offline, and I'm conscious that the ambiguity of my L may have delayed things.
So here's something to keep things moving
An M to connect:
1) Shostakovich
2) Handel
3) Marguerite, Jeanne and Jean-Paul"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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just to say, I'm rather taken with the (new to me) Honegger, so thanks for that
Arthur Honegger (1892-1955): Suite archaïque, per orchestra (H. 203) (1950/1951) -- The Louisville Orchestra diretta da Robert Whitney --I. Ouverture. Largem...
the Ibert's a bit wacky as I suppose one might expect
Last edited by mercia; 10-12-11, 19:43.
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amateur51
Originally posted by mercia View Postjust to say, I'm rather taken with the (new to me) Honegger, so thanks for that
http://www.youtube.com/watch?v=udzHn-xuhr4
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Originally posted by mercia View Postthe Ibert's a bit wacky as I suppose one might expect
http://www.youtube.com/watch?v=gtNzx...4D93D9E29D74B5
I think "Bacchanale" is awesome... it's like Shostakovich and Prokofiev doing a Sabre Dance of the Seven Veils together in a Paris whore-house
I've got this CD which also features the "Louisville-Concert" and other Ibert gems - you can get a sample blast of the Dutoit/Montréal version of "Bacchanale" (or download the whole piece for £1.09 - terrific performance!): http://www.amazon.co.uk/Ibert-Flute-...3546557&sr=8-1
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View Post
Well I think you've got it: but a conflict of sources throws some confusion into the mix. The connection is Louisville, mercia
The presence on those records is due to the fact that, according to what I read, all three pieces were commissioned by the Louisville Orchestra (as indeed was Ibert's "Louisville-Concert" (but that would have been too easy):
Honegger's "Suite Archaique"
Panufnik's "Nocturne for Orchestra"
Ibert "Bacchanale"
But but but
I see another source is confirming that you're right mercia, Bacchanale was written for the 10th anniversary of the Third Programme.
I had got Louisville, but I was puzzled over the Ibert, as there IS a Bacchanal linked with Louisville - 6th movement of Museum Pieces by Philip Rhodes, inspired by a Flemish painting of that name in the J P Speed Art Museum in Louisville which commisioned the work.
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