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Clever question, mercs, I'd not heard of any of them so it was down to googling and bit of standard AA thinking outside the box! Perchance there is a link between Dillie, Willie and Mike.
Your 20th c. QQuest is for the link between:
The multipartite 6th section of the 3rd part of an English composer’s extended 6th Symphony;
A Sinfonia that preceded 6 completed, numbered symphonies by this British composer
A piece that juxtaposed constructive tonal sonata techniques with destructive atonal ones; it led quickly to polystylism
Your 20th c. QQuest is for the link between:
The multipartite 6th section of the 3rd part of an English composer’s extended 6th Symphony;
A Sinfonia that preceded 6 completed, numbered symphonies by this British composer
A piece that juxtaposed constructive tonal sonata techniques with destructive atonal ones; it led quickly to polystylism
Sorabji: Symphony No. 6 for Piano, Part 3, Section 6 includes Quasi fuga a, b, c, d, & e
Richard Arnell: Sinfonia Quasi Variazioni preceded his 6 completed Symphonies
Alfred Schnittke: Second Violin Sonata, Quasi una sonata, was his first concert work to use the polystylistic technique
Sorabji: Symphony No. 6 for Piano, Part 3, Section 6 includes Quasi fuga a, b, c, d, & e
Richard Arnell: Sinfonia Quasi Variazioni preceded his 6 completed Symphonies
Alfred Schnittke: Second Violin Sonata, Quasi una sonata, was his first concert work to use the polystylistic technique
I quiver & quake - what a splendid answer to my question, scb!
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