I have no particular connection with Manchester (although I did once have a girlfriend who hailed from Didsbury - or was it Withington?).
For me, the main attractions of the programme are:
- the deadpan Northern humour (not that dissimilar to - or should that be from? - the one-liners encountered in programmes from the US);
- the razor-sharp dialogue used to deliver devastating putdowns;
- the many examples of brilliantly written and acted two-handers, such as the one that featured Curly and Raquel coming to terms with the failure of their own relationship while the rest of the world celebrated the New Year; and
- those characters who epitomise self-delusion, such as Julie, who dresses like a 1940s nanny and then wonders why she can't find, let alone keep, a man.
- oh yes, and Sally Webster.
For me, the main attractions of the programme are:
- the deadpan Northern humour (not that dissimilar to - or should that be from? - the one-liners encountered in programmes from the US);
- the razor-sharp dialogue used to deliver devastating putdowns;
- the many examples of brilliantly written and acted two-handers, such as the one that featured Curly and Raquel coming to terms with the failure of their own relationship while the rest of the world celebrated the New Year; and
- those characters who epitomise self-delusion, such as Julie, who dresses like a 1940s nanny and then wonders why she can't find, let alone keep, a man.
- oh yes, and Sally Webster.
Comment