But not quite dead yet!
Radio 3 dying
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I am just writing to the Trust again in a continuing dialogue.
The point: a cultural or arts station should consider only the content, not the 'kind of listener' they want to attract.
Let people find what they want from what's on offer, and if they don't like Radio 3 there are plenty of other stations. How much they already know about classical music is irrelevant.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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What if they argue that since Radio3 is a public radio station, it should do its best to make arts and culture (whatever they mean by this) accessible to as many people as possible? Being inclusive and all that…
And what did what’s his name said on the R3 Facebook? Something about we should all want everybody to enjoy classical music or something to that effect. [overused sad face emoticon]
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Originally posted by doversoul View PostWhat if they argue that since Radio3 is a public radio station, it should do its best to make arts and culture (whatever they mean by this) accessible to as many people as possible? Being inclusive and all that…
I'm listening to Essential Classics at the moment and Derren Brown is talking about faith-healers. I can't see how this introduces people to classical music. I'd have turned off when the Brain Teaser came on for the first time but this is work .
DB has just described Pergolesi's Stabat Mater as bouncy and sentimental. As a programme, this doesn't fit together with Curzon playing Grieg. After 2 hours I'm tired of Rob - not because it's Rob, but because it gives the impression that the programme is anchored round one person who can't be very inspired when discussing faith-healers, and Clifford Curzon, and brain teasers, and reading out text messages.
(Now DB has described the Stabat Mater - asked what it means to him - as a 'joyful' piece. Stabat mater dolorosa Juxta crucem lacrimosa ...)It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Dum pendebat filius….
Radio3 is under RW’s evil spell and has forgotten what it really is. The spell must be broken but how….. Can’t Rob be persuaded?
By the way, I have a suspicion that the lack of playlists is a deliberate way of getting ‘new’ listeners to casually tune in. These listeners are supposed to have no idea about what’s what so publishing what is going to be played is pointless. Even undesirable as it can put them off with scary foreign names.
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Originally posted by doversoul View PostBy the way, I have a suspicion that the lack of playlists is a deliberate way of getting ‘new’ listeners to casually tune in. These listeners are supposed to have no idea about what’s what so publishing what is going to be played is pointless. Even undesirable as it can put them off with scary foreign names.
I am quite surprised that these are considered 'Essential Classics'. Actually, I don't think they are. The title is just a name - it doesn't have a lot to do with the content. Rob (I assume) has come up with some interesting works, though the Grieg and Handel could be called 'essential'. But certainly not the Martinu or the Fibich.
There is a sort of attempt to appeal to a wide range of listeners, but I'm not at all sure that it won't just miss the target with both new and knowledgeable listeners.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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What did I do to deserve to wake each morning to a wretched cliche!
Take your pick:
Ravel's Bolero
MacGunn's LoftheM&S
QofSehba, arrival thereof-Handel
'Prentice, Dukas's, Socerer's ...
Gershwin ... RIB, ad nauseum
... And all with the parrot in between ... that was, this is, why don't you try ...
Why missed it already well stand by for 453 future opportuntis in which you can catch it again!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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Originally posted by EdgeleyRob View PostBut not quite dead yet!
Late-evening and TTN programming is also usually pretty good - complete works with unfussy(ish) presentation. It's the candy-floss style of the mornings, and the itsy-bitsy let's-have-a-chat style of the early evening, that so irritate....... but that's barely a third of the day, even if it's an important third for many people. But there is life in the old dog yet.
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Originally posted by french frank View Post... Derren Brown ... has just described Pergolesi's Stabat Mater as bouncy and sentimental. ...
Now DB has described the Stabat Mater - asked what it means to him - as a 'joyful' piece. Stabat mater dolorosa Juxta crucem lacrimosa ...)
Who gains by allowing gibberish like that on the air? Only the guest by way of his contributor's fee. New listeners are confused or suspect a cock-up when the ineffably sad music is introduced like that (not even a whimper from Rob C, too busy shedding internal lacrimae presumably, at being forced to engage in this sort of crap), and anyone familiar with the piece just insulted and driven away.
Bouncy...
Sweet Jesus.
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Frances_iom View PostI hear that the BBC is anti Christianity but was it necessary to invoke the European declaration for his voice to be heard ?
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