It was a couple of years ago that I got my hearing tested and was issued with a hearing aid for my left ear, the slightly less good one. I can hear on my trusty Red Label test CD the 6.3 kHz frequency and those below. Being as daft as my old Dad was, I haven't used it much in the interim but found it helped a bit in theatre, at the cinema and for TV (especially American). Having at long last done something about the intrusive hum on my Thorens TD 165 deck and preamp and with a subsequent renewed interest in my LP collection, I retried my hearing aid. What seems to be happening is that although the high frequency boost is predominantly in the left ear the sound stage as a whole benefits and on the LP just played before writing this (Councelation, undemanding bliss from Harold Land, Jack Sheldon, Carl Perkins, Curtis Counce and Frank Dunlop) the drummer, with lots of the high frequency information, is accurately placed on the right of the sound stage!! I think I know why this is and if you'll allow me to revert to my previous incarnation as a Physics teacher, I'll explain.
The head is approximately 0.17 m in diameter, sound travels at 340 m/s, the wavelength that is most diffracted by the head is 340/0.17= 2000 Hz which is a frequency that those of us with only moderate hearing loss hear clearly enough in both ears for the stereo spatial information to be detected. The octaves either side of this frequency lie from the C two octaves above middle C to the C two octaves above that, roughly! In other words these frequencies are mostly overtones, higher harmonics, of actual notes rather than the notes themselves. Above 2000 Hz ( 2kHz) the ear detects intensity differences rather than the phase differences which give the stereo information and it seems that since in a normal hearing situation each ear receives roughly the same intensity ( the shadowing effect of the head toward one speaker than the other being relatively small) the brain is programmed to attach high frequency information to the 2 kHz data to which it appears to belong.
Any other explanations gratefully accepted, the point being that just one aid seems to do the duty for two BUT, yes, there is a BUT. If you already have a hearing aid then I should say that the one I was issued with is an "open ear" type with no ear-mould. There is just a small plastic hemisphere with substantial holes in it that let a large proportion of the incident sound directly to the ear canal. This is topped up by a small tube from the aid itself that boosts just those frequencies that need it. When issued the default setting was way too high and I had to get it reset to a minimum boost of 4 db, reduced from 16 db. This works fine. Also, the modern hearing aid is a sophisticated device designed to help people in noise rich situations ( the cocktail party scenario). To that end they have a forward facing microphone and, in addition, a second rear microphone. Using the technology applied to helicopter microphones and other noise reducing techniques, the sound from the rear microphone is subtracted from the forward facing one to give a clearer sound to the user in noise rich situations. This is clearly pointless listening to music at home, the aid is virtually self-cancelling. All you have to do is cover the rear hole with a little piece of sticky paper, hey presto!!
In conclusion, any of you hesitant about accepting incipient deafness, don't be shy , get tested, insist on an "open-ear" aid and re-enjoy your vast collection of recorded music.
The head is approximately 0.17 m in diameter, sound travels at 340 m/s, the wavelength that is most diffracted by the head is 340/0.17= 2000 Hz which is a frequency that those of us with only moderate hearing loss hear clearly enough in both ears for the stereo spatial information to be detected. The octaves either side of this frequency lie from the C two octaves above middle C to the C two octaves above that, roughly! In other words these frequencies are mostly overtones, higher harmonics, of actual notes rather than the notes themselves. Above 2000 Hz ( 2kHz) the ear detects intensity differences rather than the phase differences which give the stereo information and it seems that since in a normal hearing situation each ear receives roughly the same intensity ( the shadowing effect of the head toward one speaker than the other being relatively small) the brain is programmed to attach high frequency information to the 2 kHz data to which it appears to belong.
Any other explanations gratefully accepted, the point being that just one aid seems to do the duty for two BUT, yes, there is a BUT. If you already have a hearing aid then I should say that the one I was issued with is an "open ear" type with no ear-mould. There is just a small plastic hemisphere with substantial holes in it that let a large proportion of the incident sound directly to the ear canal. This is topped up by a small tube from the aid itself that boosts just those frequencies that need it. When issued the default setting was way too high and I had to get it reset to a minimum boost of 4 db, reduced from 16 db. This works fine. Also, the modern hearing aid is a sophisticated device designed to help people in noise rich situations ( the cocktail party scenario). To that end they have a forward facing microphone and, in addition, a second rear microphone. Using the technology applied to helicopter microphones and other noise reducing techniques, the sound from the rear microphone is subtracted from the forward facing one to give a clearer sound to the user in noise rich situations. This is clearly pointless listening to music at home, the aid is virtually self-cancelling. All you have to do is cover the rear hole with a little piece of sticky paper, hey presto!!
In conclusion, any of you hesitant about accepting incipient deafness, don't be shy , get tested, insist on an "open-ear" aid and re-enjoy your vast collection of recorded music.
Comment