Originally posted by cloughie
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The Joys of Vinyl
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Originally posted by Bryn View PostI can certainly identify with that. My Thorens/Linn combo has been out of action awaiting my rewiring its mains supply cable. It has been in that condition for several years. I shold really get a round tuwit.
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Originally posted by smittims View PostThere's a special pleasure in playing a nicely-cleaned copy of an old Columbia of Klemperer's 1954 'Jupiter' symphony, with the original sleeve propped up.
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Originally posted by Alison View PostI wonder if the standard of pressings has gone up with todays very expensive vinyl discs?
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I’m very anti vinyl, and Have posted many screeds here on the forum. There remain a few lps that I am interested in that are not currently available digitally and I am thinking of getting the DJ table-Technics 1500 Direct Drive. I found a restored one for what appears to be a fair price and am sorely tempted
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Originally posted by Bryn View PostMy understanding (not being taken in by this current fad) is that they use much more vinyl to give a greater quality of playback. To that extent, they are an improvement on what we were subjected to in the 1970s and '80s.
Digital processing
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Thanks, Padraig, for the offer. I'll think it over, but don't wait if you have other ideas. I have the recording on CD.
It was unusual in that the choruses where recorded in Vienna with the Musikverein, and the arias in London with the Philharmonia. The Record Guide called it 'a tale of two cities'. The cover name 'Friends of Music' was Walter Legge's joke, Musikfreunde and Philharmonia meaning roughly the same thing!
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Originally posted by richardfinegold View PostThere is currently a scandal in the Audiophile community as Mo Fi, which frequently sells lps for $125, has confessed that they use
Digital processing
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Well, Dave, I'd say a marketing strategy rather than a con. Many purchasers of the new LPs seem to derive pleasure and satisfaction from them. I believe it's more aimed at the popular music genres rather than classical.
I bought only one 'new vinyl': the Anthony Collins Sibelius set, which I couldn't resist.
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Originally posted by smittims View PostWell, Dave, I'd say a marketing strategy rather than a con. Many purchasers of the new LPs seem to derive pleasure and satisfaction from them. I believe it's more aimed at the popular music genres rather than classical.
I bought only one 'new vinyl': the Anthony Collins Sibelius set, which I couldn't resist.
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Originally posted by smittims View PostWell, Dave, I'd say a marketing strategy rather than a con. Many purchasers of the new LPs seem to derive pleasure and satisfaction from them. I believe it's more aimed at the popular music genres rather than classical.
I bought only one 'new vinyl': the Anthony Collins Sibelius set, which I couldn't resist.
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Originally posted by smittims View PostWell, Dave, I'd say a marketing strategy rather than a con. Many purchasers of the new LPs seem to derive pleasure and satisfaction from them. I believe it's more aimed at the popular music genres rather than classical.
I bought only one 'new vinyl': the Anthony Collins Sibelius set, which I couldn't resist.
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Originally posted by smittims View PostWell, Dave, I'd say a marketing strategy rather than a con. Many purchasers of the new LPs seem to derive pleasure and satisfaction from them. I believe it's more aimed at the popular music genres rather than classical.
I bought only one 'new vinyl': the Anthony Collins Sibelius set, which I couldn't resist.
do DSD masters for their lps that they routinely charge over $125.00 for. There has recently been a Class Action suit filed against MoFi for this, so not all of the swindled are deriving "pleasure and satisfaction' from this. For many of the Analog or Death! crowd, a digital phase is desecration.
It also conclusively proves, for me at least and many others, that the so called superiority of vinyl is the enjoyment of artifacts. The sound of the needle scraping the disc, the pops, clicks and skips, stuttering of the tonearm, somehow make it feel more real. However, if one is going to enjoy Digitally mastered files, for me it makes more sense to keep them in the digital realm, rather then to embed them in a slab of fossil fuel and then use an expensive sewing needle/magnet gizmo to extract those files, which is also slashing the grooves with each playing. Not to mention the short playing time, decreased dynamic range viz. Digital, the dust bunnies that collect on the styli, and the speed instability. I had a Rega P5 that was horribly unstable. A recording of Wilhelm Kempff playing Beethoven Sonatas ended side one with the first movement of the Moonlight. The famous triplets were so distorted that I thought someone had dropped acid in my coffee.
I have been sans turntable for about 5 years, but there are a number of second hand lp stores in my vicinity, and I have come across several lps that I would like to have that are not currently available digitally. And to be honest back in the day I had always wanted the D.J. table (Technics SL-1500). I'm hoping that a Direct Drive will eliminate speed instability and bloated bass so common to belt drives, even expensive ones. The seller has great feedback and I talked with him and he swears the motor is as quiet as Boris Johnson's Ethics Advisor. I figure that if he is lying (the seller--not B.J.), at $150 I can probably sell it off for parts and be whole again. So I will post back once I have it
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