Taylor Swift in the Dock
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Originally posted by Quarky View PostAssuming there are a fair few copyright sleuths on this board, I found the Taylor Swift law suit interesting. I seem to recall that only a quantum of originality is sufficient to establish copyright::
A good read!
There are very odd quirks, such as you can copyright lyrics - though as here - some constraints may apply, and you can copyright notes and copyright arrangements, and even fonts and layout used for printed copies, but apparently you can't copyright chord sequences.
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Originally posted by cloughie View PostCases such as this seem to be made by individuals or bands few have heard of with songs few people have heard of against successful acts who have made loads of dosh. I wonder why this should be?
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Originally posted by Padraig View PostI read the article and what caught my eye was a reference to a song called All About That Bass. I knew of the song, but not the version mentioned that knocked Taylor Swift off the top spot - this version by Post Modern Jukebox European Tour. I enjoyed it, and as it is NOT off topic, I give you the link:
https://www.youtube.com/watch?v=aLnZ1NQm2uk
“All About That Bass” by Meghan TrainorListen to Meghan Trainor: https://MeghanTrainor.lnk.to/listenYDWatch more Meghan Trainor videos: https://MeghanTrainor...
Wasn't it this original one that hit No.1, keeping Taylor off it?
It does look a very dodgy case, based around "playas gonna play" and "haters gonna hate".... makes money for the lawyers, but doesn't look like plagiarism to me....Last edited by jayne lee wilson; 10-12-21, 16:26.
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Originally posted by jayne lee wilson View PostGreat cover! But credit to the original writers & their brilliant version......
“All About That Bass” by Meghan TrainorListen to Meghan Trainor: https://MeghanTrainor.lnk.to/listenYDWatch more Meghan Trainor videos: https://MeghanTrainor...
Wasn't it this original one that hit No.1, keeping Taylor off it?
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Originally posted by Dave2002 View PostUsual bonkers stuff. I'm gonna check it out.
There are very odd quirks, such as you can copyright lyrics - though as here - some constraints may apply, and you can copyright notes and copyright arrangements, and even fonts and layout used for printed copies, but apparently you can't copyright chord sequences.
Classic example : Unchained Melody which is in fact a really boring melody but gets its emotional power partly from the chord progression and also the film context. In the business the sequence is known as Tin Pan Alley default …
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