Originally posted by jayne lee wilson
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Kurt Sanderling 1912-2011
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Originally posted by richardfinegold View PostIt was stated in his bio, in more than one source, that when KS was assigned his Berlin post, that the goal (presumably deriving from Party HQ) was to build an Orchestra to rival the Berlin PO. This would have been a tall order in a Country whose population was about half the size of the Federal Republic, and presumably not able to recruit players from abroad (for example, James Galway was Karajan’s First Chair Flute).
But I bet Kurt Sanderling just ignored Party HQ and went on playing & recording music with his devoted musicians and tonmeisters. The Sibelius Cycle is about as far from Karajan as you can get.....that sense of objectivity, of pure spring water about it......yet never lacking impact or itensity. Or as Sibelius said of his 4th "nothing of the circus about it"...Sanderling's 1st, 4th and 6th and 7th are remarkable things, very hard to improve upon sonically or musically; he truly understands them. The various Japanese transfers of the cycle are stunning.Last edited by jayne lee wilson; 29-11-21, 19:38.
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Not a Japanese transfer but a secondhand £2 copy of the Brilliant Classicstransfer of the First arrived this morning . Utterly absorbing performance far less romantic than many but very clear recording and lots of detail often unheard under a romantic wash of strings emerges. Very fine indeed thanks for the recommendation.
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Originally posted by Barbirollians View PostNot a Japanese transfer but a secondhand £2 copy of the Brilliant Classicstransfer of the First arrived this morning . Utterly absorbing performance far less romantic than many but very clear recording and lots of detail often unheard under a romantic wash of strings emerges. Very fine indeed thanks for the recommendation.
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