Originally posted by Quarky
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Clive Sinclair bows out
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Indeed, the PC-1210. Ah, good old RPN. Funnily enough, I attended and recorded a concert by Richard Teitelbaum at the Almeida Theatre in1983 at which he played, among other triple piano works, his Reverse Polish Notation, which used the Chopin Revolutionary Etude op 10 no 12 as its base material. "triple piano"? Indeed, he played at the keyboard of one while a multi-solenoid device from the Marantz stable read the keys he played and the velocity of his attack. The results were then processed and relayed to the other two pianos which were fitted with a modern analogue of a player-piano mechanism, also from the Marantz stable. Sadly, following house moves, I have been unable to locate the recording and I don't think he ever made a commercial recording of the work. Great title for a piece based on Chopin and using computer processing, though.
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Originally posted by Bryn View PostIndeed, the PC-1210. Ah, good old RPN. Funnily enough, I attended and recorded a concert by Richard Teitelbaum at the Almeida Theatre in1983 at which he played, among other triple piano works, his Reverse Polish Notation, which used the Chopin Revolutionary Etude op 10 no 12 as its base material. "triple piano"? Indeed, he played at the keyboard of one while a multi-solenoid device from the Marantz stable read the keys he played and the velocity of his attack. The results were then processed and relayed to the other two pianos which were fitted with a modern analogue of a player-piano mechanism, also from the Marantz stable. Sadly, following house moves, I have been unable to locate the recording and I don't think he ever made a commercial recording of the work. Great title for a piece based on Chopin and using computer processing, though.
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