Since joining the Forum I've read many interesting and sometimes downright tempting reviews and recommendations of new and existing releases. For example, Jayne and others have recently been extolling the virtues of Martinu, about whom I know a little and would like to know more. This exemplifies my problem - a nice problem, but still a problem!
I've acquired a few hundred recordings of 'classical music' over the years, plus rather more recordings of 'popular' music and jazz. Leaving the last two categories aside, I try to listen to as many of my collection as possible at least occasionally, but am forced to realise that, while I'm 'enthusiasm-rich', I'm 'time-poor'. (One manifestation of this is that sometimes, when possible, I try to shoehorn my Forum activities into the early and late hours, for which apologies).
Apart from the fact that I own all these CDs but never intended them to serve solely as room decorations, there are recordings which I have to listen to several times of works which I'm still struggling to appreciate fully, such as the late Beethoven String Quartets, where I still learn or discover something new every time I listen to them.
Secondly, I have started - very much contrary to my original intentions - to acquire multiple recordings of works which I particularly love and/or are important to me, although not in the sorts of numbers that some people seemed to have acquired! Needless to say, I wish to discover how the latest version on my shelves compares with those that I already own.
I also watch a lot of performances on the internet and record concerts off the TV. I'm finding the excellent Rattle/BPO Beethovemn series on Sky Arts particularly revelatory. My satisfaction and enjoyment are greatly increased when I can actually work out how the sounds I can hear relate to what I can see - or vice-versa.
A recent discussion on another thread has resulted in a useful potential saving of time inasmuch as I've finally had the courage/good sense to admit that, as I've suspected for some time, I'm quite incapable of deriving any pleasure or satisfaction out of Bruckner and might as well stop trying (sincere thanks to all concerned!).
Opera - apart from Britten - will continue to remain largely a closed book to me (there's too much going on for my brain to assimilate even after repeated hearings or viewings). That's more valuable time saved, I guess!
But my dilemma - delightful as it is - remains: how to derive the full benefit of what I've already got but still find time to explore new material? (I should add that I'm a fairly voracious reader, and although some pieces serve as useful background when tackling the crossword, most require my undivided attention).
I've acquired a few hundred recordings of 'classical music' over the years, plus rather more recordings of 'popular' music and jazz. Leaving the last two categories aside, I try to listen to as many of my collection as possible at least occasionally, but am forced to realise that, while I'm 'enthusiasm-rich', I'm 'time-poor'. (One manifestation of this is that sometimes, when possible, I try to shoehorn my Forum activities into the early and late hours, for which apologies).
Apart from the fact that I own all these CDs but never intended them to serve solely as room decorations, there are recordings which I have to listen to several times of works which I'm still struggling to appreciate fully, such as the late Beethoven String Quartets, where I still learn or discover something new every time I listen to them.
Secondly, I have started - very much contrary to my original intentions - to acquire multiple recordings of works which I particularly love and/or are important to me, although not in the sorts of numbers that some people seemed to have acquired! Needless to say, I wish to discover how the latest version on my shelves compares with those that I already own.
I also watch a lot of performances on the internet and record concerts off the TV. I'm finding the excellent Rattle/BPO Beethovemn series on Sky Arts particularly revelatory. My satisfaction and enjoyment are greatly increased when I can actually work out how the sounds I can hear relate to what I can see - or vice-versa.
A recent discussion on another thread has resulted in a useful potential saving of time inasmuch as I've finally had the courage/good sense to admit that, as I've suspected for some time, I'm quite incapable of deriving any pleasure or satisfaction out of Bruckner and might as well stop trying (sincere thanks to all concerned!).
Opera - apart from Britten - will continue to remain largely a closed book to me (there's too much going on for my brain to assimilate even after repeated hearings or viewings). That's more valuable time saved, I guess!
But my dilemma - delightful as it is - remains: how to derive the full benefit of what I've already got but still find time to explore new material? (I should add that I'm a fairly voracious reader, and although some pieces serve as useful background when tackling the crossword, most require my undivided attention).
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