Having discovered that I was going to be listening, not to Martin Handley, but to Ms Alker's impression of an excitable puppy introducing 'Crackerjack' or 'Blue Peter', I headed to my CD collection and chose, entirely at random, a 75-minute ASV compilation called 'The Melody Lingers On - 25 Songs of Irving Berlin'. In addition to offering Ms Alker a (kind of) sincere 'thank you' for pushing me in that direction, I found myself wondering whether my generation - I'm in my mid-70s - will be the last to listen to the music of this era, especially as the BBC no longer seems to regard us as worthy of consideration. The standard of musicianship of the bands in these recordings is breathtaking. (The tracks on this collection were recorded between 1924 and 1946).
An elderly Forumista writes ......
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Originally posted by LMcD View PostHaving discovered that I was going to be listening, not to Martin Handley, but to Ms Alker's impression of an excitable puppy introducing 'Crackerjack' or 'Blue Peter', I headed to my CD collection and chose, entirely at random, a 75-minute ASV compilation called 'The Melody Lingers On - 25 Songs of Irving Berlin'. In addition to offering Ms Alker a (kind of) sincere 'thank you' for pushing me in that direction, I found myself wondering whether my generation - I'm in my mid-70s - will be the last to listen to the music of this era, especially as the BBC no longer seems to regard us as worthy of consideration. The standard of musicianship of the bands in these recordings is breathtaking. (The tracks on this collection were recorded between 1924 and 1946).
Just one other thought - perhaps Billy Joel could be coaxed back into the studio for an album of standards with a big band!
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Richard Tarleton
Originally posted by LMcD View PostHaving discovered that I was going to be listening, not to Martin Handley, but to Ms Alker's impression of an excitable puppy introducing 'Crackerjack' or 'Blue Peter', I headed to my CD collection and chose, entirely at random, a 75-minute ASV compilation called 'The Melody Lingers On - 25 Songs of Irving Berlin'. In addition to offering Ms Alker a (kind of) sincere 'thank you' for pushing me in that direction, I found myself wondering whether my generation - I'm in my mid-70s - will be the last to listen to the music of this era, especially as the BBC no longer seems to regard us as worthy of consideration. The standard of musicianship of the bands in these recordings is breathtaking. (The tracks on this collection were recorded between 1924 and 1946).
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Originally posted by Richard Tarleton View PostI dunno LMcD....I'm only 4 years younger than you, don't identify as elderly, and associate music of that era firmly with my late mother's generation - she was born in 1920. I was force fed it when very young, and whilst I recognise its technical accomplishment haven't grown to appreciate it with age - I wouldn't feel neglected if R3 didn't play it, I thought it was more R2 fare?
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..maybe there's an argument for a 'Light Programme'. Where you draw the boundaries might be difficult...and it's not likely to happen anyway.
On a wider issue, there's little point in targeting age-groups, because the trend of our time is to 'access' music (and anything else for that matter) via sources other than terrestrial live broadcasting.
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I was born in 1940 and have never enjoyed that sort of music. It was pretty much all there was when I was a child - nothing resembling 'pop'and my mum (b.1905) loved it and all dance music. Luckily she also liked classical which I got a taste for. There was a a lot more light classical on the radio then (the Light Programme) and plenty of classical spread around 'Friday Night Is Music Night' type programmes. My sister, 6 years younger, quite likes the old, semi-jazz (Jamie Cullum) stuff.Last edited by LezLee; 26-01-20, 11:55.
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Originally posted by Richard Tarleton View PostI dunno LMcD....I'm only 4 years younger than you, don't identify as elderly, and associate music of that era firmly with my late mother's generation - she was born in 1920. I was force fed it when very young, and whilst I recognise its technical accomplishment haven't grown to appreciate it with age - I wouldn't feel neglected if R3 didn't play it, I thought it was more R2 fare?
I thought that people like Harry Connick jnr, Jamie Callum had made successful careers out of recording & performing cover versions of this Music?[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Andy Freude
Is this like a plea for Victorian parlour songs or music hall, which lingered on with The Good Old Days (1953-1983)? No audience to speak of, no play?
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Originally posted by LMcD View PostHaving discovered that I was going to be listening, not to Martin Handley, but to Ms Alker's impression of an excitable puppy introducing 'Crackerjack' or 'Blue Peter'...
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Is this like a plea for Victorian parlour songs
Not that I'd want to spend an hour a week listening to the genre.
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Originally posted by Andy Freude View PostIs this like a plea for Victorian parlour songs or music hall, which lingered on with The Good Old Days (1953-1983)? No audience to speak of, no play?
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Clare Teal’s show on Radio 2 is great for this music, if not especially the original recordings. I came to the era only when I started learning sax and was surprised how much I liked it. Duke Ellington and his orchestra in particular have become a source of joy. Elvis has a lot to answer for ;)
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Originally posted by LMcD View PostI just think it would be a pity if people who aren't familiar with the popular music of this period were denied the chance to discover how it was performed at the time.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by muzzer View PostClare Teal’s show on Radio 2 is great for this music, if not especially the original recordings. I came to the era only when I started learning sax and was surprised how much I liked it. Duke Ellington and his orchestra in particular have become a source of joy. Elvis has a lot to answer for ;)
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