Scala Radio
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Not anything I would want to listen to but it presents an interesting challenge to Essential Classics and Simpering Sunday. Simon Mayo is a marketable radio personality who might well poach a good number of the casual 'radio as a pleasant background' listeners. Though I doubt that Radio 3's response would be to move back in a more serious direction.
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Originally posted by zola View PostNot anything I would want to listen to but it presents an interesting challenge to Essential Classics and Simpering Sunday. Simon Mayo is a marketable radio personality who might well poach a good number of the casual 'radio as a pleasant background' listeners. Though I doubt that Radio 3's response would be to move back in a more serious direction.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by french frank View PostJust read the article. Radio 3 to lead the charge to out-Scala Scala, 'going all out to entertain, laugh with the listeners, and have a good time'.
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Originally posted by edashtav View PostScala Radio: all scales and staircases? To heaven or hell?
Do we need - indeed, are there enough actual or potential listeners out there - for a third UK-based station playing classical music (however broadly defined)?
(I'm actually something of a fan of RTE's Lyric FM, which I receive via Freesat).
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Originally posted by Eine Alpensinfonie View PostSimon Mayo is to host a new classical music station.
It sounds as though it will out-crassify anything CFM and Radio 3 has managed so far. My worry is that the BBC will follow its usual pattern of attempting to mimic the style.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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From the Guardian article
The BBC, which still accounts for almost half of radio listening in the UK, is attempting to adapt to a digital future with its BBC Sounds app and investment in podcasts, but has to deal with the publication of the salaries of its most well-paid stars following an edict from the government.
Many leading male presenters were asked to take pay cuts after an outcry over inequality, while others were unsettled by their finances being made public – enabling deep-pocketed commercial rivals to swoop in and make compelling offers.
The comment about deep pocketed rivals suggests that radio is still popular, though seen as a money making engine by some, including those who work within it.
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Simon Mayo is someone I have liked as a presenter on Five Live - an intelligent, sharp-witted and unflamboyant presenter. I don't know his Radio 2 stuff. I would have thought he has a following which is different from the typical CFM listenership, so there may be a niche there, especially with Mark Kermode chipping in. I wonder who else they will be hiring. I will certainly try it but can't imagine that I will become a regular listener - there are now so many online classical alternatives.
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Originally posted by gurnemanz View Postthere may be a niche thereIt isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by french frank View PostI'm sure there is. There is an audience for most things. The vital point is: where will that audience come from? It's most unlikely that it will come entirely from Radio 2 - which could easily sustain the shedding a few million of its listeners.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by french frank View PostComing back to this: it may be a wake-up call for Radio 3 to concentrate on its USP: serious, well-informed (and, when necessary, detailed) broadcasting of the arts; and focusing the 'classical' music programmes on a traditional canon up to (say) 1940(?); and at that point to follow the innovative/experimental. Leave CFM and Scala to deal with (hit) music from recent films and musicals. Which composers would that exclude from R3?
I suppose if you don't like Bernstein, 1940 might be a good shut off date. John Adams, Philip Glass, George Crumb and a whole bunch of others would be cut out by this, even Thomas Ades (I'm not fond of) or Brett Dean or Nico Muhly. Surely R3 should be presenting the work of modern and contemporary composers - and not just relegating them to H&N and a few "cult" niches within the schedules.
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