Cinema tickets in the West End have been historically expensive. Of course, you are not 'just' paying for your admission, you are also paying for the location - though why this should be a big deal, I've no idea, as one darkened cinema is like any other when you come down to it. You might just as well be watching the film in the west end of Middlesbrough.
I once paid over the odds for a soft drink on the Champs Elysees, but I realised I was 'paying for the view'.
And isn't it a bit pointless attending the cinema anyway, these days? People talk about the 'romance' of the darkened room and the 'communality' of watching a film in company with other strangers, but what if said strangers are eating pungent food, vomiting into their beakers of coke, attempting noisy sexual intercourse with each other, or just generally being obnoxious?
DVDs now come out very quickly after film premieres and you can watch them in an environment which YOU can control. And it's only a fiver to buy them or little more to watch them as part of a Netflix (or whatever package) - and you can pause them and hold off watching them as much as you like. A pox on whatever the 'auteur' wanted - as John Culshaw (Decca, not the impressionist) might have said 'You've bought the performance - you can do what you like with it!'
I once paid over the odds for a soft drink on the Champs Elysees, but I realised I was 'paying for the view'.
And isn't it a bit pointless attending the cinema anyway, these days? People talk about the 'romance' of the darkened room and the 'communality' of watching a film in company with other strangers, but what if said strangers are eating pungent food, vomiting into their beakers of coke, attempting noisy sexual intercourse with each other, or just generally being obnoxious?
DVDs now come out very quickly after film premieres and you can watch them in an environment which YOU can control. And it's only a fiver to buy them or little more to watch them as part of a Netflix (or whatever package) - and you can pause them and hold off watching them as much as you like. A pox on whatever the 'auteur' wanted - as John Culshaw (Decca, not the impressionist) might have said 'You've bought the performance - you can do what you like with it!'
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