The Lure of Classic FM
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Originally posted by subcontrabass View Post
On the other hand, perhaps that should concern us.
However, it's just one opinion.
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The comments are more worthwhile than the article in some respects. This one I found interesting.
I listen to Classic FM because I want relaxing, soothing music, not inane chatter, vocoder nonsense etc., which works really well until the adverts come on.....some of these, with their constant repetition, will drive you nuts (I understand, that to an extent, this is the nature of the beast which is commercial radio - another reason why I am thankful for the BBC). However, the night-time programmes have less of them and can be marvellously relaxing and hugely enjoyable.
My usual strategy is to switch to Radio 3 when the adverts come on. If I like what I hear, I stick with it. My preference would probably be to avoid the adverts altogether and stick with Radio 3, but it has been distinctly noticeable over the past couple of years that they don't so much play music these days, but instead talk about music instead...often incessantly.
Less talk, more music please, Radio 3.
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Originally posted by kernelbogey View PostWell I read this and thought of posting but decided it is of little interest here. There is no mention of Radio Three.
On the other hand, perhaps that should concern us.
However, it's just one opinion.
I sometimes listen to the 'Full Works' concert. When I feel like dabbling in what one might call the 'lighter' end of the spectrum, I enjoy listening, for example, to Alexander Armstrong's choice of music for an early afternoon at the weekend - an ideal accompaniment to a nice game of Scrabble . I also find that David Mellor's manner makes for pleasant listening. I feel that these two lack - thankfully - the determined, almost desperate, false inclusivity that some Radio 3 presenters - Tom Service, Ian Skelly and Suzie Klein - seem to affect.
I long ago decided that it was not a matter of listening to Radio 3 OR Classic FM. (I even listen to RTE's Lyric FM on occasions).Last edited by LMcD; 30-08-18, 12:39.
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Originally posted by LMcD View PostI think it should. This is an article about young people's attitude to classical music and it doesn't mention Radio 3. Might this not suggest that it is therefore perceived to be irrelevant to the subject under discussion?
The thing that most concerns me is the idea that the Beeb bosses will read the article and conclude that all "young people" share the opinions expressed in it, and decide to incorporate even more CFM-type repertoire on R3, at the expense of ....[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Both Radio 3 and Classic FM meet my listening needs in different ways at different times. The latter seems more confident about achieving its (admittedly less challenging) objective, while the former seems to be trying to proceed in different directions, sometimes unsure of where its audience is to be found. Somebody from Classic FM once cheerfully admitted that it is a pop music station that happens to play classical music. Who's to say that this isn't what some people are looking for? And who are we to say that some of them will not go on to develop a deeper understanding of classical music, possibly through Radio 3 and possibly not?
I've just started to work my way through my recently purchased 4-CD set of British symphonies on Lyrita, and I don't think I'm likely to hear ANY of them on either Classic FM or Radio 3. I also watch/listen to a lot of music, some of it definitely off the beaten track, on YouTube.
My conclusion is therefore is that a 'pick and mix' policy will serve me very well.
Perhaps Radio 3 should look upon Classic FM as a kind of 'prep school' some of whose pupils will find their way to it. Among my friends and acquaintances of all ages, the number that listen to Radio 3 - or have even heard of it ('Oh, do you mean Classic FM?') can be counted on the proverbial fingers of the proverbial one hand.
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Originally posted by ferneyhoughgeliebte View PostThe thing that most concerns me is the idea that the Beeb bosses will read the article and conclude that all "young people" share the opinions expressed in it, and decide to incorporate even more CFM-type repertoire on R3, at the expense of ....
If you include the under 35s the audience 'leaps to one million' according to the article. But a year ago 1.2 million were under 35.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by LMcD View PostBoth Radio 3 and Classic FM meet my listening needs in different ways at different times. The latter seems more confident about achieving its (admittedly less challenging) objective, while the former seems to be trying to proceed in different directions, sometimes unsure of where its audience is to be found. Somebody from Classic FM once cheerfully admitted that it is a pop music station that happens to play classical music. Who's to say that this isn't what some people are looking for? And who are we to say that some of them will not go on to develop a deeper understanding of classical music, possibly through Radio 3 and possibly not?
I've just started to work my way through my recently purchased 4-CD set of British symphonies on Lyrita, and I don't think I'm likely to hear ANY of them on either Classic FM or Radio 3. I also watch/listen to a lot of music, some of it definitely off the beaten track, on YouTube.
My conclusion is therefore is that a 'pick and mix' policy will serve me very well.
Perhaps Radio 3 should look upon Classic FM as a kind of 'prep school' some of whose pupils will find their way to it. Among my friends and acquaintances of all ages, the number that listen to Radio 3 - or have even heard of it ('Oh, do you mean Classic FM?') can be counted on the proverbial fingers of the proverbial one hand.
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Originally posted by Oldcrofter View Post
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"Much of the rest of the schedule is lacklustre. Essential Classics, between 9am and noon, is dire: terrible, cliched little featurettes; mindless broadcasting of listeners’ emails and tweets; a predictable roster of music. Ditto Composer of the Week, which generally packages Wikipedia-level info about dead composers. ........ "
Whilst I would obviously be alone in disagreeing with the first part, surely there may be others who don't support the second ...... ?????
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