and move to the Olympic Park. I can see no valid reason for this.
BBC Maida Vale to close
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"Additionally, the Corporation plans bring the BBC Proms to the area, with performances and opportunities for young people from east London to participate in choirs and ensembles."
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Sad news. Yes, the building is in a bit of a state but it's full of atmosphere and character and history, and the two main radio drama studios (which have had pretty well zero mentions in the press reports of the closure) were the finest around when built in the seventies and stayed so for a good long while. A great many hours of my professional life have been spent in that place and I treasure the memories.
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Originally posted by muzzer View Postand move to the Olympic Park. I can see no valid reason for this.
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I always loved the Maida Vale studios, and have many happy memories of Invitation Concerts in Studio 1 (including the first performance of Vanity), lots of broadcast recordings (remember those?) with Ensemble Exposé and others in Studio 2, and the CD recording of Opening of the Mouth in Studio 3. I never found my way to the Radiophonic Workshop though.
Perhaps the building might now revert to its original function before the BBC took it over...?
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Originally posted by ahinton View PostIndeed not, but then nor are those at the Royal Albert Hell yet BBC continue to use that year on year.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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I remember with much affection going there for a performance one Saturday morning commencing at 08.30 with BBCSO; it was Shostakovich's Symphony No. 11 conducted by a Malcolm Sargent with an explosve commitment to the work that at times looked as though it might endanger his stance on such podium as there was; this was more years ago than I care to remember but...
I also remember attending a Colin Matthews 60th birthday concert there (obviously much more recently) and thniking, beore it actually started, how wonderful it was just to be there having the first oboe commence the orchestral tuning such as to make one feel so much a part of what was going on that it seemed as though the orchestra was about to play for me; I really don't mean to sound arrogant in so saying - rather to point up the sheer intimacy and presence of what was about to happen, even with the place littered with the players' instrument cases an'all...
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