What pieces can you identify in just a few seconds?

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  • Nick Armstrong
    Host
    • Nov 2010
    • 26628

    #16
    I reckon most Wagner is quickly identifiable (though not sure about Ring Cycle parts 2, 3 & 4) - I got the UC Flying Dutchman question in the same instant as the Merton bloke.

    I think I'd get all the Mahler symphonies from the first chord, ditto Ravel piano concertos, Rachmaninov concertos 2 & 3 plus his 2nd symphony, most of the Sibelius symphonies (certainly 5 & 7)...

    (There's an odd category of piece which even though I hear the whole thing I can never remember which it is - e.g. Chopin's Ballades and Scherzos - I'll know it's one of them, but which.... Likewise I'll know I'm hearing a Schubert Impromptu, but never be able to tell which one.... It's rather the same with the Brandenburgs. Love 'em all, but.... )
    "...the isle is full of noises,
    Sounds and sweet airs, that give delight and hurt not.
    Sometimes a thousand twangling instruments
    Will hum about mine ears, and sometime voices..."

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    • Richard Tarleton

      #17
      Rodrigo: Concierto de Aranjuez
      Beethoven: Hammerklavier, Waldstein, Moonlight.......

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      • Lat-Literal
        Guest
        • Aug 2015
        • 6983

        #18
        The theme to the Magic Roundabout - at a guess, about 0.2 of a second (unless there is an ice cream van in the vicinity).

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        • ardcarp
          Late member
          • Nov 2010
          • 11102

          #19
          What I can also do is singing the opening measure of a piece that has just been announced, and finding I've hit the right pitch.
          I guess quite a lot of musicians who claim not to have so-called 'perfect pitch' (I am one) do in fact have some embedded pitch sense. I know straight away if a familiar piece is in the wrong key. When singing Baroque music at A415, it always takes me a few minutes of rehearsal time to get into the right frame of mind!

          BTW, what is it about the opening C minor chord of Beethoven's Pathetique that is so distinctive? Is it the spacing of the notes?

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          • Triforium
            Full Member
            • Nov 2010
            • 148

            #20
            John Cage: 4'33"

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            • Tony Halstead
              Full Member
              • Nov 2010
              • 1717

              #21
              Originally posted by ardcarp View Post
              I guess quite a lot of musicians who claim not to have so-called 'perfect pitch' (I am one) do in fact have some embedded pitch sense. I know straight away if a familiar piece is in the wrong key. When singing Baroque music at A415, it always takes me a few minutes of rehearsal time to get into the right frame of mind!

              BTW, what is it about the opening C minor chord of Beethoven's Pathetique that is so distinctive? Is it the spacing of the notes?
              It's probably the very lack of spacing in the left hand 4-note chord. On the modern piano it sounds congealed and downright ugly if equal weight is applied to all the notes.
              On a Graf or a Broadwood it sounds more open and transparent.

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              • ferneyhoughgeliebte
                Gone fishin'
                • Sep 2011
                • 30163

                #22
                Originally posted by Tony View Post
                It's probably the very lack of spacing in the left hand 4-note chord. On the modern piano it sounds congealed and downright ugly if equal weight is applied to all the notes.
                On a Graf or a Broadwood it sounds more open and transparent.
                (The same is true of the sudden, loud rising chords from bar 17 etc in the Appassionata - very difficult to get rid of the mud and hear the notes on a "modern" piano.)
                [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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                • MrGongGong
                  Full Member
                  • Nov 2010
                  • 18357

                  #23
                  This might be interesting (I'm sure we have had it before?)

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                  • Ferretfancy
                    Full Member
                    • Nov 2010
                    • 3487

                    #24
                    Years ago, a friend at work compiled a tape of 100 extracts from classical orchestral works. all of them seconds long and segueing into the next after a second or two. I got most of them, but did rather better later when we were mixing a documentary. A single bar of music appeared, and I said "Ah ! The Swan of Tuonela" -this caused a little amazement.

                    It would be cleverer if we could be so quick at identifying brief snatches of chamber music. Haydn quartets perhaps?

                    Sargent was once having a dispute with a player who sang along while trying to make a point " Any damn fool can whistle it" was the reply.

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                    • Eine Alpensinfonie
                      Host
                      • Nov 2010
                      • 20586

                      #25
                      Originally posted by MrGongGong View Post
                      This might be interesting (I'm sure we have had it before?)



                      https://www.youtube.com/watch?v=UnhlQUBsd6g
                      We have indeed had it before, and I believe it was you who posted it.

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                      • Jonathan
                        Full Member
                        • Mar 2007
                        • 963

                        #26
                        Could this ability be termed a "phonographic memory", I wonder!
                        Best regards,
                        Jonathan

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                        • EdgeleyRob
                          Guest
                          • Nov 2010
                          • 12180

                          #27
                          I can recognise any movement from any RVW symphony just from the 1st note.
                          Tried it today with 100% success.
                          Just sayin

                          Might try the Malcolm Arnold ones tomorrow.

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                          • Dave2002
                            Full Member
                            • Dec 2010
                            • 18104

                            #28
                            Originally posted by EdgeleyRob View Post
                            I can recognise any movement from any RVW symphony just from the 1st note.
                            Tried it today with 100% success.
                            Just sayin

                            Might try the Malcolm Arnold ones tomorrow.
                            Was that a double blind test?

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                            • EdgeleyRob
                              Guest
                              • Nov 2010
                              • 12180

                              #29
                              Originally posted by Dave2002 View Post
                              Was that a double blind test?
                              Yes.
                              Mrs ER mixed them up with other stuff,some of which I didn't recognise

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                              • ardcarp
                                Late member
                                • Nov 2010
                                • 11102

                                #30
                                That's a single blind test! (But I'm just being picky )

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