My focus is 95%-plus on 'Classical/serious' music very widely defined (Anglo-Saxon chant up to today) with some significant gaps, mainly in the baroque period. My sister was a devotee of Top of the Pops but as a teenager I tended to take my father's vew that 'it'll never replace music' (his classical-music taste didn't get much past 1900 - he liked Mahler 1 but found 9, even 3, irredeemably dissonant ).
Perhaps a widening of my teenage taste occurred through travelling on a school railway soc. coach trip and being forced to listen to The Beatles - decided they were real musicians and song-writers. Pop music tastes still don't get much past 1980. Bought every Joni Mitchell LP album but have lost track with her on CD. I can listen to and enjoy Jazz Record Requests while cooking Saturday dinner, but have bought few jazz discs (except Chris Barber, one of my dad's enthusiasms). One of my odder enthusiasms cropped up recently: there were 2 TV programmes about Karen Carpenter - such a heartbreaking voice, and life story. Something my wife and I could enjoy together too.
UK and world folk music takes up a decent slice of the far end of my record collection - everything from Northumberland small-pipes, gamelan to Mongolian throat-singing. But when I sit down of an evening my hand generally goes towsrds the classical/serious shelves, or - even more labour-saving - the serendipity of R3's evening output.
Perhaps a widening of my teenage taste occurred through travelling on a school railway soc. coach trip and being forced to listen to The Beatles - decided they were real musicians and song-writers. Pop music tastes still don't get much past 1980. Bought every Joni Mitchell LP album but have lost track with her on CD. I can listen to and enjoy Jazz Record Requests while cooking Saturday dinner, but have bought few jazz discs (except Chris Barber, one of my dad's enthusiasms). One of my odder enthusiasms cropped up recently: there were 2 TV programmes about Karen Carpenter - such a heartbreaking voice, and life story. Something my wife and I could enjoy together too.
UK and world folk music takes up a decent slice of the far end of my record collection - everything from Northumberland small-pipes, gamelan to Mongolian throat-singing. But when I sit down of an evening my hand generally goes towsrds the classical/serious shelves, or - even more labour-saving - the serendipity of R3's evening output.
Comment