Maybe time for some reflection/introspection.
For me the big success of For3 was the campaign to keep DAB on R3 at 192 kbps (minimum) for as long as possible, while some cloth eared people in the BBC wanted to lower it as far as possible and claimed we wouldn't be able to tell the difference.
On going battles may still have to be fought on the technical/delivery side - retention of FM and coverage of DAB maybe, though these issues may become less important as more people switch to internet delivery modes.
On the programming side we have had the timing of concerts, and I'm still somewhat miffed about the repeats of COTW not being staggered a week apart as they were a few years ago, which gave an extended period for some familiarisation with some less well known composers' works.
What do others think have been successes, and what issues are still worth pushing for?
For me the big success of For3 was the campaign to keep DAB on R3 at 192 kbps (minimum) for as long as possible, while some cloth eared people in the BBC wanted to lower it as far as possible and claimed we wouldn't be able to tell the difference.
On going battles may still have to be fought on the technical/delivery side - retention of FM and coverage of DAB maybe, though these issues may become less important as more people switch to internet delivery modes.
On the programming side we have had the timing of concerts, and I'm still somewhat miffed about the repeats of COTW not being staggered a week apart as they were a few years ago, which gave an extended period for some familiarisation with some less well known composers' works.
What do others think have been successes, and what issues are still worth pushing for?
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