Alphabet Associations - II
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Originally posted by cloughie View PostOr one or the other.
Anton, are the Hangers trying to build up enough games in hand and Ronnie is using the extra training time to hone the side to storm the playoffs?
Remember my prediction - don't let me down!
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Originally posted by vinteuil View Post
So a trio of Knights:
Arthur BLISS - Dance of the Four Knights from the Ballet "Checkmate";
Sergei Prokofiev's Dance of the Knights - sometimes known as The Montegus and Capulets) from the Ballet "Romeo & Juliet" (as used for the theme tune of Lord Sugar's series The Apprentice);
Schubert's Overture The Looking-Glass Knight
A full house for vinty, who will now give us L[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by vinteuil View Post... we're looking for an L which from early roots later bore fruit for Handel and Strauss, and also for Ravel (tho' his would require a Metamorphosis... )
- Handel: Cantata Apollo e Dafne
- Strauss: Opera Daphne
- Ravel: Ballet Daphnis et Chloë
(Though Daphnis was the bloke... hence the 'metamorphosis'? ... but (afaik) there was no laurel.... and it was Strauss rather than Ravel who used the - capital M - Metamorphoses, of Ovid.... )Last edited by Nick Armstrong; 09-02-16, 07:52."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View PostThough Daphnis was the bloke... hence the 'metamorphosis'? ... but (afaik) there was no laurel.... and it was Strauss rather than Ravel who used the - capital M - Metamorphoses, of Ovid....
Pacta sunt servanda !!!
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Originally posted by Flay View Post
Another daphneësque exposure - minus the laurel - here:
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View PostLaurel - Daphne, metamorphosis into, for the use of? (tree... "roots"... &c...)
- Handel: Cantata Apollo e Dafne
- Strauss: Opera Daphne
- Ravel: Ballet Daphnis et Chloë
(Though Daphnis was the bloke... hence the 'metamorphosis'? ... but (afaik) there was no laurel.... and it was Strauss rather than Ravel who used the - capital M - Metamorphoses, of Ovid.... )
The 'early roots' - 'cos probably the earliest ever opera we know of is Peri's Dafne.
(tho' I think it more likely she turned into the classier :
I must find out what the poor young Daphnis ever did to find himself turned into a laurel...
... so for a magnificent mind-bending Calibanaceous M
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Originally posted by Caliban View Post
A menacing, windy night can be idyllic.
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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