Getting back to the W, are we looking for WIDows and ORphans?
Alphabet Associations - II
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Originally posted by subcontrabass View PostGetting back to the W, are we looking for WIDows and ORphans?
I'm sure my researches into works with Wind machine will prove useful one day - I have the same attitude to all those bits of string in my garage.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by subcontrabass View PostGetting back to the W, are we looking for WIDows and ORphans?
Care to set out your working?"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View PostYes phew...
Care to set out your working?
Charles-Marie Widor: works include 10 symphonies for organ, of which No. 9 is Symphonie Gothique and No. 10 is Symphonie Romane, as well as Carnaval, douze pièces pour piano op. 61 and Suite Écossaise op.78 (also for piano solo).
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Originally posted by subcontrabass View PostCharles-Marie Widor: works include 10 symphonies for organ, of which No. 9 is Symphonie Gothique and No. 10 is Symphonie Romane, as well as Carnaval, douze pièces pour piano op. 61 and Suite Écossaise op.78 (also for piano solo)."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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We seem to be talking about Xenophon here.
The splendidly named Xenophon Kelsey is conductor of the St Cecilia orchestra:
Xenophon wrote a Symposium (a Socratic dialogue):
C P E Bach wrote a keyboard piece La Xenophon (La Sybilla):
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Originally posted by Pulcinella View PostWe seem to be talking about Xenophon here.
The splendidly named Xenophon Kelsey is conductor of the St Cecilia orchestra:
Xenophon wrote a Symposium (a Socratic dialogue):
C P E Bach wrote a keyboard piece La Xenophon (La Sybilla):
http://www.prestoclassical.co.uk/w/8...Wq-117-29-H123
Full house. Why do you not lead us onwards?
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Apologies in advance for a very verbose question, more like a Brain of Britain one than the succint one-liners we often get.
It's not the most inspired one, either!
Regardless of the outcome of the forthcoming referendum, the future of my ability to have involvement in an EU enterprise seemed recently in doubt, though I think I have had a reprieve. The outlook was potentially sunnier when one Peter placed me third out of seven, but not so hopeful for me in part of a work that another Peter premiered.
What Y am I?
PS: Don't be shy. We're allowed to skip the Z, I think!
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Originally posted by Pulcinella View PostApologies in advance for a very verbose question, more like a Brain of Britain one than the succint one-liners we often get.
It's not the most inspired one, either!
Regardless of the outcome of the forthcoming referendum, the future of my ability to have involvement in an EU enterprise seemed recently in doubt, though I think I have had a reprieve. The outlook was potentially sunnier when one Peter placed me third out of seven, but not so hopeful for me in part of a work that another Peter premiered.
What Y am I?
PS: Don't be shy. We're allowed to skip the Z, I think!
The European Youth Orchestra whose EU funding looked endangered (I hadn't heard of any reprieve, though)
Britten's War Requiem included a setting of Owen's Anthem for Doomed Youth as sung by Peter Pears at the premiere.
The second element is a little more tricky - I've looked fruitlessly at Tchaikovsky's Album for the Youngth, Rachmaninov's Symphony and Janacek's wind quintet ... but either "Youth" or "Peter" doesn't fit.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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