Originally posted by MrGongGong
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Noise or silence: who decides?
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It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by MrGongGong View Post
A few questionable statements, including "The tritone is composed of the first and fourth notes of a major scale, with the latter being sharp."
What an odd and clumsy way to put it. Much better to say it's the 4th and 7th notes of the major scale.
Whether or not an individual likes a sound is personal rather than cultural. Growing up in the 50s and 60s I should, according to that logic, be fanatical about Elvis and the Rolling Stones, but I don't like either. Like so many others, I was not descended from sheep.
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Originally posted by french frank View PostNot sure what that proves. It doesn't begin to answer the problem for some people of contexts where there is unwelcome sound.
BUT it does show how things are perceptual rather than absolute
I sometimes go to things I don't like
I've been to see art exhibitions where I hate the visual art but love the building
i've seen films where i've loved the sound design and hated the music
What is "unwelcome" is very much to do with personal perceptions of what is primary in a space and this is variable
If you really don't like music in galleries or museums take earplugs
Believe it or not I watched PART of the Proms broadcast this evening, guess which bit I decided to miss ?
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Originally posted by MrGongGong View Post
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Originally posted by MrGongGong View PostIf you really don't like music in galleries or museums take earplugs
Some museums and galleries hire out listening units with headphones. Much the better way.
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Originally posted by MrGongGong View PostWhat is "unwelcome" is very much to do with personal perceptions of what is primary in a space and this is variable
But isn't this the point of the thread title? Not everyone can get their way - so who 'decides' between noise (tbd) and silence? The answer will always be the people who like noise (tbd). I agree, though: people who like to walk around without the distraction of noise (tbd) will have to carry noise cancelling equipment around with them.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by Eine Alpensinfonie View PostThat doesn't work. Even if it did, the suggestion is a crass as suggesting someone lying on a bed of nails should stop complaining and take pain killers.
Some museums and galleries hire out listening units with headphones. Much the better way.
I've got a set of Akai S1000 Model B samples on floppy disk, go on, get rid of the daft piano and i'll send them to you to replace it with a nice sofa !
So it's NOT the "better way" unless one wants to make something with that kind of individual intimacy OR a feeling of "co-presence".
These ARE the kinds of things that are thought about very carefully when people design exhibitions and public space. Some people don't like it, which is fine BUT you can't play "pick-n-mix" with curated and composed experiences. Personally I would love to hear a certain oratorio by Elgar without the terrible text and with something more to my taste BUT I know that it's part of the work.
You analogy doesn't work.
I decide to go to the "National Gallery Somatic Bed Of Nails Exhibition" ... I can't complain if when I lie down it hurts I can choose to go somewhere else or stay at home.
Anyway, surely this is a distraction from what we should be angry about?
CLAPPING BETWEEN MOVEMENTS
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Originally posted by french frank View Post
But isn't this the point of the thread title? Not everyone can get their way - so who 'decides' between noise (tbd) and silence? .
The person who decides is the person curating the exhibition / space
As I said before, people who do this really DO think carefully about how sound is used and often employ specialists to design the sound.
When I have made sound for art exhibitions it has usually been as part of a very close collaboration with the artists involved, when it works well it's wonderful.
but, of course
Cage was right and there is no such thing as silence anyway
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Originally posted by MrGongGong View PostWhen I have made sound for art exhibitions …
Originally posted by MrGongGong View PostCage was right and there is no such thing as silence anywayIt isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by french frank View PostUnder normal conditions, yes, he was right, but more or less anyone would know it's true in an absolutely literal sense. No need to go to such lengths to try to 'prove it'. But there is obtrusive sound and unobtrusve sound. And the main reason why it's unobtrusive is because it's always there and we are programmed to exclude it as not important to our lives. All Cage did was to declare it was important and we all ought to be more aware of it - and value it for what it is.
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Originally posted by Serial_Apologist View PostIt would be a shame to have an exhibition spoilt if the visual element was what one intended going for.
I could equally say that a few years ago my experience of the first night of the Proms was spoilt by what came after "Panic" (it was, BUT that's what happens when you go outside and let other people curate things)
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