Colin Welland, RIP

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  • Stanley Stewart
    Late Member
    • Nov 2010
    • 1071

    Colin Welland, RIP

    Sad to hear that Colin Welland, (1934-2015) has died. I only worked with him on one occasion which also happened to be the last 'live' transmission of the popular Z Cars. I'd done a few years in rep and this occasion, 1964ish, was my first job at the BBC TV Centre. The cast were well established in their roles but we had an instant rapport from the first rehearsal. I
    expected them to be rather grand but neither Colin or Brian Blessed - or any of the regulars - had any side to them whatsoever. We shared a scene and I can't recall which of the pair, aware of my anxiety as my cue approached, turned to me and said, "Remember, Stanley, if you 'dry', we have more than 15 million viewers"! I spluttered and laughed which relaxed me at the right moment. Real pro's and it all seems like yesterday. Colin was so droll and genial. RIP, dear man.
  • pastoralguy
    Full Member
    • Nov 2010
    • 7799

    #2
    I remember him in 'Kes' as the sympathetic English teacher. A very sad film.

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    • cloughie
      Full Member
      • Dec 2011
      • 22182

      #3
      A very good playwright and actor. I remember 'Roll on 4 O'clock' as a combination of humour and social comment in a an inner city school. RIP Colin.

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      • Lat-Literal
        Guest
        • Aug 2015
        • 6983

        #4
        .........and he was the screenwriter for 'Chariots of Fire' (1981) for which he won an Academy Award.

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        • Stillhomewardbound
          Full Member
          • Nov 2010
          • 1109

          #5
          'Colin doesn't give a damn about the camera', said my father, admiringly, when we were watching Colin Welland in a TV play, sometime in the late 70s.

          He was alluding to Welland's innate naturalism and he was envious of the lack of theatrical baggage such as sometimes informed his own career (TP McKenna).

          This quality even become the theme of another television play in which Welland was a grocery story manager, as I recall, who relieves one of his assistants on the till when along comes a customer who is the doyenne of the local drama society.

          'STOP!', she orders him. DON'T move. You're a natural!!!'

          Welland's character hardly knows where to put himself, apparently confronted by someone with a tile loose.

          She reveals her purpose and finally persuades him to accept a small, but crucial part in her next production as an overly inquisitive copper.

          Welland's everyman is utterly flummoxed at first but then warms to the idea of the acting lark, but not for a moment does he get above himself. However, he does cause a stir at the drama society creating a certain air of resentment among the long established players. So much so that come the performance, whether by ineptness or design, no doubt the latter, they manage to jump ahead three pages of the script, thus cutting his scene.

          He takes it on the chin and exits the theatre/town hall, his hopes mildly dashed, but still in his police tunic that he's grown comfortable with.

          His humiliation quickly shaken off he sets off down the road just in time to be on the scene when a drunk driver crashes into a junction lamp post.

          Said driver is, in fact, his boss, if I remember rightly, and Welland's character has the last laugh as his tunicked torso appears at the car window with it's shiny buttons to the terror of the driver who thinks he's been nicked.

          In other words, he gets to play the part at the end of the day.

          If that sounds a touch corny or naieve, it wasn't. It was a simple, human drama and and with such a good actor it was a joy to watch.

          Having checked it out on IMDB I see now that it was part of a strand called 'The Cost of Loving' produced by Yorkshire Television and written by Stan Barstow, best known for 'A Kind of Loving'.

          As I suggest, it was something of an allegory for his natural and easy way as an actor that we were to enjoy in the likes of 'Kes', 'Villain' and, of course, 'Z Cars'. Not to mention the astonishing Blue Remembered Hills.

          About that famous 'Oscar' speech and 'the British are coming!' quip which, although meant in full irony, became something of a millstone around his neck, his greater regret was that as soon as his name was announced he shot out of his seat and ran down to the stage. Only later did he realise he should have turned to his beloved wife, Pat, and given her a kiss which would have been picked up by the camera and gone all around the world.

          Colin, TP's in Heaven's Green Room and waiting with a large glass of whatever you require!


          (written first in the comments section of his Guardian obituary)

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