Composers whose music became less complex when they aged?

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  • Lat-Literal
    Guest
    • Aug 2015
    • 6983

    Composers whose music became less complex when they aged?

    Interested in learning about composers whose work was pared down and/or simplified in their older age not without critical acclaim.
  • ferneyhoughgeliebte
    Gone fishin'
    • Sep 2011
    • 30163

    #2
    Webern and Stravinsky both "pared down" their Music from its earlier manifestations - and both got more "complex" as a result. Not sure if this helps start off a discussion, Lats?
    [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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    • richardfinegold
      Full Member
      • Sep 2012
      • 7336

      #3
      Bela Bartok
      His Concerto For Orchestra and Third Piano Concerto, which are his last completed works, show a pruning down of his more experimental tehniques

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      • ahinton
        Full Member
        • Nov 2010
        • 16122

        #4
        Originally posted by richardfinegold View Post
        Bela Bartok
        His Concerto For Orchestra and Third Piano Concerto, which are his last completed works, show a pruning down of his more experimental tehniques
        As arguably does his viola concerto.

        Sorabji was another composer who could be said to have done this, although in his case it is worth bearing in mind from what such "pruning down" was made(!); the principal feature of what can be called his "later style and manner" - i.e. from when he resumed compsition in 1972 at the age of 80, after failing to maintain his resolve not to write any more music a few years earlier - is a paring down of the complex multi-layered textures that characterise some of his earlier music, though in no sense is there any sense of compromise.

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        • ferneyhoughgeliebte
          Gone fishin'
          • Sep 2011
          • 30163

          #5
          Originally posted by richardfinegold View Post
          Bela Bartok
          His Concerto For Orchestra and Third Piano Concerto, which are his last completed works, show a pruning down of his more experimental tehniques
          Originally posted by ahinton
          As arguably does his Viola Concerto
          But not, perhaps, his Sixth String Quartet or his Sonata for Solo Violin?
          [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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          • ferneyhoughgeliebte
            Gone fishin'
            • Sep 2011
            • 30163

            #6
            Originally posted by ferneyhoughgeliebte View Post
            Webern and Stravinsky both "pared down" their Music from its earlier manifestations - and both got more "complex" as a result.
            This could also be said of Shostakovich and Britten, too.

            And Lutyens.
            [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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            • Petrushka
              Full Member
              • Nov 2010
              • 12012

              #7
              The first composer who came into my mind when I saw the thread title was Penderecki. True, he made, I think, a conscious decision to change course though I understand that it is actually his earlier complex works that have received more acclaim.

              Peter Maxwell Davies as well perhaps?
              "The sound is the handwriting of the conductor" - Bernard Haitink

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              • Lat-Literal
                Guest
                • Aug 2015
                • 6983

                #8
                Originally posted by ferneyhoughgeliebte View Post
                Webern and Stravinsky both "pared down" their Music from its earlier manifestations - and both got more "complex" as a result. Not sure if this helps start off a discussion, Lats?
                Yes.

                I welcome the thread being taken in whichever direction people think appropriate.

                That includes challenging any implied assumptions.

                Thank you to everyone who has already contributed.

                Comment

                • Eine Alpensinfonie
                  Host
                  • Nov 2010
                  • 20538

                  #9
                  Elgar
                  Rutter
                  Strauss
                  Part
                  Walton
                  Shostakovich

                  I agree about PMD.

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                  • Lat-Literal
                    Guest
                    • Aug 2015
                    • 6983

                    #10
                    Originally posted by Eine Alpensinfonie View Post
                    Elgar
                    Rutter
                    Strauss
                    Part
                    Walton
                    Shostakovich

                    I agree about PMD.
                    Thanks Eine.

                    I wonder...are there reasons? Disenchantment with earlier direction, adapting to the times, just wanting a change, a flash of inspiration, waning health placing limits on the grand design, a desire to write something that expresses feelings in older age, not that the question implies all had long lives? On paper, it could be any one of these and other things.

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                    • ferneyhoughgeliebte
                      Gone fishin'
                      • Sep 2011
                      • 30163

                      #11
                      Part and Penderecki were both in their forties when they adopted a "more traditional"/"less avant-garde" style of writing. Not quite what I understood "older age" to mean from the OP (although, of course, there is no denying that they were "older"! )

                      So, to add another composer whose work became pared down and more complex in his forties -

                      Beethoven.
                      [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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                      • ahinton
                        Full Member
                        • Nov 2010
                        • 16122

                        #12
                        Originally posted by ferneyhoughgeliebte View Post
                        But not, perhaps, his Sixth String Quartet or his Sonata for Solo Violin?
                        No, indeed! - so not so simple an answer there, any more than in the case of Sorabji, who, whilst being poles apart from much of what Bartók was about, always made a point of respecting his integrity as a composer...

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                        • ahinton
                          Full Member
                          • Nov 2010
                          • 16122

                          #13
                          Originally posted by ferneyhoughgeliebte View Post
                          Part and Penderecki were both in their forties when they adopted a "more traditional"/"less avant-garde" style of writing. Not quite what I understood "older age" to mean from the OP (although, of course, there is no denying that they were "older"! )

                          So, to add another composer whose work became pared down and more complex in his forties -

                          Beethoven.
                          There really is no disagreeing with that!

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                          • Serial_Apologist
                            Full Member
                            • Dec 2010
                            • 36839

                            #14
                            Gorecki

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                            • greenilex
                              Full Member
                              • Nov 2010
                              • 1626

                              #15
                              Might there be a development of wisdom in the widest sense, a feeling that important statements can come in smaller packages, a husbanding of energy - and even perhaps an impatience with trends?

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